November 28, 2021
Fab Spoilers Follow
Like pretty much every Beatle fan, I’ve been waiting on Peter Jackson’s epic recut of the the Beatles’ 1970 Let It Be film. I first saw it as a midnight movie in Stone Mountain, Georgia in 1978, wincing when the rednecks hissed at Yoko Ono’s first appearance on the screen. The 1970 film was a sad document of a fabled band breaking up. Get Back, the new film, culled from 60 hours of unseen footage from those sessions, promised to rewrite the narrative of January 1969, which George Harrison had branded, “the winter of our discontent.”
I geared up for the Thanksgiving event by buying the 5 disc Let It Be “Super Deluxe” box set and reviewing it on my YouTube channel. I’d read everything about the sessions in the previous 40+ years, so I wasn’t expecting any surprises. And yet, all I got were surprises. It wasn’t just the insight into the working process of the band (Ringo’s farting not withstanding). It was the psychological dissection of what happens when strong personalities stifle equally strong personalities.
Thanksgiving morning Andrea and Cozy came over so we could make this viewing a family event. Andi and I curled up on the couch together and fell into the first part of the six-hour three-day fab fest the world had been waiting for. Besides the brilliant ’69 fashions and endless smoking, which made us both briefly made us consider taking up the habit, was the revelation of the psychodynamic between John, Paul, George, and Ringo. In the first episode, there’s a moment when Paul discusses and accepts that he is losing his lifelong best friend to Yoko. Paul, looking old at 26, mourns the man who had been his musical partner since he was 14. There’s a long silent shot and you can see his eyes dampen. The realization that closeness is not locked in for life is shattering. John was now “John and Yoko.” No wonder Paul McCartney fell into a deep depression a year later.
But the great story is George Harrison’s rebellion. The Beatles were Lennon and McCartney’s band, both in camera time and musical direction. The quiet Beatle was lucky to get a few of his own tunes on each album. By 1969 he’d been hanging out with Eric Clapton, Bob Dylan and The Band but was still relegated to sideman in his own group. The songs he was bringing into the band were equal to Paul’s and even better than the ones John was bringing in. (John was checked out, on Yoko and on smack.) Just listen to the Beatles’ version of George’s “All Things Must Pass” and you can see how the understudy had become the master.
George could have just taken it all on the chin, the price of being a Beatle. But on January 10th, George stood up for himself and quit The Beatles. After seven days of rehearsing mostly Paul’s songs in a dank soundstage, George walked out saying, “See you ‘round the clubs,” and that was it. The Beatles were now a trio. Years later, in The Beatles Anthology (1995), George recalled his thinking at the time. “What’s the point of this? I’m quite capable of being relatively happy on my own and I’m not able to be happy in this situation. I’m getting out of here.” Certainly there’s more we don’t see on the screen in Get Back, including financial headaches at Apple and George’s crumbling marriage (apparently he was shacked up with Clapton’s ex-girlfriend at the time), but we see the youngest Beatle take a stand for his own sanity.
We also see John, Paul, and Ringo sink into a mild panic at George’s departure. John suggest recruiting Clapton, who had played on 1968’s Beatle classic “While My Guitar Gently Weeps.” They end up heading off on a visit (and then a second) to their young friend’s house to cajole him back into Beatledom. End of episode one.
Andrea and I reconvened on the couch the following day for Episode Two as the Beatles reconvened at Apple headquarters. Watching the Fabs, George included, enter the white office building on 3 Saville Row gave us a kick has we had been in the building on our trip to London in 2018. It’s now an Abercrombie Kids store. And yes they sell Beatles shirts. In 1982, I actually snuck onto the roof of the then empty building but we were seeing the reunited quartet walk in the same door we had. Turns out that one of George’s conditions to return was that the band move to the warmer Apple studio in the basement of 3 Saville Row.
The sweet spot occurs on January 11th, George’s second day back when he brings in old friend of the band, Billy Preston. Billy sits in on keyboards on tunes like “I’ve Got a Feeling” and “Don’t Let Me Down” and the chemistry is instant. These much labored-over songs now sound like album tracks. The look on George’s face was ecstatic, like you assholes downplayed my creative input and I just saved this imploding band. Oh, the satisfaction he must have felt.
Andi and I had a long conversation afterwards about how stifling a person’s true self just doles out misery around the circle. But when you honor their whole potential everyone benefits. There certainly were parallels in our situation as just a few weeks prior she had told me, “See you ‘round the clubs.” Without knowing it, I had been Paul McCartney, trying to make “our band” my band. I thought I was doing her a favor “letting her” have a few songs when she had a triple album’s worth of material ready to go that was far superior to my silly love songs.
We stayed up until midnight to catch the premiere of Episode Three, that took the band up to the roof of Apple, where I would stand 12 years later. On that cold January 30th day nearly 53 years ago, the lads were in their true element, full of joy as a cohesive creative unit, blasting out “Get Back” to the curious listeners below. “I want to look at you the way Paul looks at John,” Andi said. I just want her to have the smile that George Harrison had on that rooftop. As we prepared to step back into our separate lives, feeling finally fully present with her true self, I thanked her for three of the best days I’d had in my life, spent with her, our daughter, and the Beatles. And I hope I passed the audition.