December 29, 2019
Decades used to have a definitive feel, a look, a sound. The Eighties were so different from the Seventies, which shared little with the Sixties. As we put this decade to bed, there’s no real sense of collective experience. We don’t even have a name for the last ten years. The Teens?
2010 began with the Obama presidency digging us out of the Great Recession and the quasi-fascist Tea Party movement and ended with the impeachment of the quasi-fascist Donald Trump and another recession looming. The first #1 song of 2010 was “Tik Tok” by Kesha and the last #1 song of 2019 is a Mariah Carey Christmas song from 1994 (and then a dozen Post Malone songs). Do those bookends offer any clue to the history that unfolded in the intervening days, weeks, months, and years between?
I imagine the historians will dub this the Decade of Social Media. People retreated from cruising malls and bars to shopping and dating online. The fashion of the decade was the laptop and the smartphone. It was the decade where people stayed home and when they went out they were permanently hunched over their devices while the world burned down around them. Why look for a scene when you can just Netflix and chill?
It was a fairly epic ten years for me. I became a parent in 2014, which completely changed my connection to the outside world. And becoming a parent of a girl grounded my feminist ideals into a moral imperative in a world of “Grab ‘em by the pussy” presidents. 2014 was the also the year I pushed my faculty union to strike against a bloated administration which was a factor in that bloated administration cancelling my secure faculty contract. But after a few years of scrounging, that freedom gave birth to a professional and creative revival. I got to spend the second half of the decade traveling the globe and writing volumes, including books, academic chapters, an ode to Bowie published in the Gay & Lesbian Review, and an article in Huffington Post on masculinity and right wing violence. Having a wonderful partner, who never tolerated my decades old bullshit, pushed me to unexpected accomplishments.
I have a theory about decades (discussed in my 2011 book, The Mission of the Sacred Heart). There are two albums released in the seventh year of every decade that define both what’s happening on the surface and what’s bubbling underneath. For 1967, it was Sgt. Pepper’s Lonely Hearts Club Band and The Velvet Underground & Nico. 1977 was Saturday Night Fever and Never Mind the Bollocks, Here’s the Sex Pistols, and so on. For 2017 it would have to be Taylor Swift’s Reputation and Kendrick Lamar’s Damn. Both represented the dominant themes of the decade, the empowerment of women in the face of institutional abuse (hats off to artists like Kesha and films like Bombshell) and the transformative Black Lives Matter movement (much love to artists like D’Angelo and films like Moonlight).
It was a decade that moved the ball on the leveling playing field, for transgender kids that need to pee and black kids who don’t need to get shot by the cops. But there was a massive attempt to turn back the hands of time to the bad old days, when America was (right) “great.” The rebellion against the global community sparked nationalism across the world; Trump and Putin, Brexit, mass murdering racists in Norway, neo-Nazis in Ukraine, and on and on. 2020 seems like it will be the beginning of decade of civil war. Can Harry Styles save us?
It usually takes a while to get a feel for what a decade was all about. Give it a few years before we determine the relevance of The Bachelor and brand new pants pre-torn in Chinese sweatshops. The last decade of the “American Century” will have an official haircut and dance (Twerking?). There will be 2010s nights at clubs where they play all your old Katy Perry favorites and people dress like various Kardashians and joke about apps and Tim Tebow and they play the “Gangnam Style” video over and over again. I’ll remember it as the decade where I found my real purpose. There was no app for that.
Watching the Wheels 