Dad’s Top 10 Favorite New LPs of 2018

December 20, 2018

Does the music of 2018 sound any different than the music of 2008? I’m just asking. The top three albums of ’08 were Lil Wayne’s The Carter III, Coldplay’s Viva la Vida, and Taylor Swift’s Fearless. The music of 1978 (Best selling LP: soundtrack to Saturday Night Fever) was light years from records of 1968 (Top seller: Are You Experienced? by the Jimi Hendrix Experience). Is new music new in any way? I mean there’s good stuff but it seems like we’re in a stylistic holding pattern. Maybe I’m just getting old and don’t know where to look. Other than Greta Van Fleet (who sound more 1968 than 2018), there wasn’t any new music that I went apeshit over.

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This was a great year to pick up vinyl but my long-standing tradition of weekly record shopping went right out the window as the finances tightened.  The high point was buying vinyl all over the world, including New York, London, Leeds, Oslo, Chicago, Washington DC, and even Abu Dhabi. All of it ended up on Andrea and my new YouTube channel, Vinyl Fetish. The channel gave us a great opportunity to talk about our favorite records, often after a night out on the town. There was more vinyl consumed than CDs this year, but most of it was old jazz sides.

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We also really dialed back the live shows. There was a point in my life when I saw live music six nights a week. (The seventh night was cheap beer night at the Stein Club in Atlanta.) Between the traveling, the budget, and the fact that our babysitter went and had a baby of her own, there weren’t too many nights rocking out. But some of the highlights were seeing Mexican greats Café Tacuba in Portland and jazz legend McCoy Tyner at Blue Note in Greenwich Village. We saw the great Bowie tribute band, Bowievision, twice. One of my most blissed-out moments was seeing the classic ska band, The Dekkertones, in a London pub full of skinheads. Yes, I skanked.

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Regardless of all the new music I missed in 2018, the top two are albums I played to absolute death. The first was the “new” John Coltrane album, Both Directions at Once. The tracks were unreleased gems from 1963 that were found on a shelf somewhere and turned into an album by his son Ravi. The pure thrill of  hearing a new Coltrane album full of brilliant improvisation by his greatest quartet (including McCoy Tyner) was beyond measure. The packaging on Trane’s old Impulse! label was top notch. And my video review did pretty well, too!

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The other was Paul McCartney’s Egypt Station. I’ve bought each new McCartney album on the day of its release since Wings’ London Town (Friday, March 31, 1978). Some have been brilliant. Paul at age 76 is still brilliant. Like all his albums, I was unsure at first listen but it just grew and grew on me and I’m still not tired of playing it. His epic tune “Despite Repeated Warnings” (in the vein of “Band of the Run”) is the perfect take-down of Trump (“Take away the keys and lock him up”) and an affirmation of the will of the people (“Yes, we can do it!”). When most geezers are making peace with their maker, Paul is firing on all cylinders, creating an album were each song is chocked full of insight and tasty treats. I just wish he didn’t feel the need to take the act on the road again with the same old band and a voice that is no longer built for three-hour concerts. You’re good, Paulie. The studio is your domain. Show the kids how it’s done.

So I didn’t have enough this year for a Top 20, but here are ten albums I absolutely loved this year.

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  1. Paul McCartney – Egypt Station
  2. John Coltrane – Both Directions at Once: The Lost Album
  3. Paul Weller – True Meanings
  4. Kacey Musgraves – Golden Hour
  5. Greta Van Fleet – Anthem of the Peaceful Army
  6. Janelle Monae – Dirty Computer
  7. Bruebeck Brothers Quartet – Timeline
  8. Pistol Annies – Interstate Gospel
  9. Darling Machines – Darling Machines
  10. Father John Misty – God’s Favorite Customer

And it’s next on my “To Buy” list so I fully anticipate that Elvis Costello’s Look Now belongs on that list somewhere. Here’s to a better income in 2019 and the joy of purchasing more new music. And to something interesting happening.

 

 

 

 

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The Vinyl Fetish Club is here for your sexy music needs.

February 14, 2018

YouTube was founded on Valentines Day 2005. I remember the first time I logged on thirteen years ago in my office at Portland State. A grad student told me I could find some vintage Pink Floyd performances on this new platform. One search, and I was off into the clickstream of random short clips (with not an ad in sight!). Everything imaginable was suddenly just a button away, from old movie trailers to speeches by Serbian nationalists.

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I started my own channel in 2009 to “vlog” a cross-country trip, from Portland to Atlanta and back to Portland, that stopped at numerous famous crime scenes. It was a downer travelouge but highly educational. The clip I recorded in Jasper, Texas, sight of the 1998 dragging death of of James Byrd, Jr., has nearly 20,000 views. More recently the channel has turned into a place to chronicle Cozy’s evolution and all around cuteness. I’ve never seen a penny from any of these videos. It’s just been a place to share.

As Andrea and I were scratching our heads about how to get through this period of diminished income, she mentioned that millennials are turning YouTube into a revenue generator. There are a ton of channels that I don’t quite understand making bank on monetizing viewership. The top ranked channel is tseries, which shows Bollywood music and movie clips from India. With over 31 billion views, it generates close to $100,000 a day. A day. Channels dedicated to toy reviews have billions of plays. Billions.

This week Andrea and I join their ranks. We thought it would be fun to film us doing what we do best (OK, second best), talking about music. We have a lot of great cross-generational, Gen X to Millennial, chats about records. I love sharing my “ancient” twentieth century music with someone born after the creation of MTV and she shares some amazing discs from south of the border.  She was born in southern Mexico and I grew up in the suburban South. We both value the totality of a great record. I gave her Patti Smith and she gave me Café Tacvba.

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We’re happy to launch the Vinyl Fetish Club on YouTube, where we wander into my record collection and I play some choice platters for my beloved wife. There will be some great sociological discussions, but I have a feeling the best part will be charting her reactions as I lay some Dead Kennedys and King Crimson on her orejas. Viewers might enjoy that sight more than me explaining why a guy from Fugazi producing a Bikini Kill record matters. She’s a lot to take in when a good tune is blasting out of the crappy Service Merchandise stereo in my record room. Hot blooded, check it and see.

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Our first episode is dedicated to the ever controversial Ted Nugent and his 1977 classic album Cat Scratch Fever. We ask the question, can shitty people make great art? Nugent is among the shittiest, but that is still a great album. And before you get all high and mighty liberal, most of the music you love was made by seriously flawed people. John Lennon admitted that he beat his first wife, so does that put The Beatles off limits? So we start with a challenging call to love the jam while rejecting the man.

Please subscribe. We plan to upload a video each week and there will certainly be diversions from our “record review” theme. I don’t expect to have as many subscribers as JustinBieberVevo (16,941,467,020), but I can promise it will be highly entertaining.  And fledgling hipsters can pick up some inside info impress their lame peers. And also, Andrea. Happy birthday, YouTube.