My Old Face

January 18, 2020

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The life expectancy in the United States in 1920 was 58.8 years, so if you met someone who was sixty, they were “elderly” and living on borrowed time. In 2020, the American life expectancy is 78.9 and there are approximately 80,000 Americans who are over a hundred years old. I’m 55, so a hundred years ago I would have been ancient and now I’m wondering if I even qualify as “middle-aged.” Wilfrid Brambell, the actor who played Paul McCartney’s comical grandfather in The Beatles’ A Hard Day’s Night (1964) was 52 at the time. Beatle Paul is now 77 and heads back on tour this spring, headlining the Glastonbury Festival on June 27.

So who’s old now? “Old.”

And when someone tells you to “act your age,” what does that even mean? What does it mean to a 17-year-old or a 55-year-old? I remember during the previous impeachment, there was a general feeling that 52-year-old Bill Clinton was not acting his age with Monica Lewinsky.  (Harvey Weinstein, 67, redefined the relationship between age and douchebaggery.) And if he were not the leader of the free world, the infantile antics of Donald Trump, 73, might be endearing. “He’s an old man, but he’s so childlike!”

As I write this with my reading glasses on, I can tell you there are a few clear markers of aging besides the fact that the smoothness of my skin seems to be evaporating. The aches and pains creep in and the extra pounds tend to hang on a bit longer, no matter how hard I hit the gym. And it’s just harder to hit the gym since there’s something awesome on TV tonight. I always hated when my elders would complain endlessly about the chronic pains of life so I’ll keep my mouth shut, but if I drive more than five miles, my right knee hurts!

There’s also the constant reminder of the passage of time. As a teacher, aging is particularly profound. The majority of my college students were born in the twenty-first century. I’ll say something like, “Remember how the nation reacted to 9/11?” and they’ll say, “OK, boomer, I was 3 days old.” And I’ll say, “I’m not a boomer, depending on how you chart birth rates. I’m a Generation X elder.” (My five-year-old daughter has taken to saying, “OK, boomer X.”) Regardless, I am constantly reminding my students what the world was like before the internet. Last week I was explaining what a “travel agent” was. “A travel asian?” one asked.

The value of all the mistakes I’ve made is that I can offer Generation Z endless pearls of wisdom, like “avoid credit card debt at all costs,” and “figure out ASAP that women are people,” and “don’t mix wine and whiskey,” and “take a literature class or something.” Then I can sit back and put all my hopes that the world doesn’t blow up on them. It is nice knowing a few things about how reality works even if I have no idea how I’ll be paying for the chronic health issues that are surely around the corner.

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The bottom line is that I don’t feel old. I still want to be at the front of the stage when a hot young band is blowing the doors off of some basement club. I was in the front when I was 17 seeing The Ramones and I was right up front seeing Velvet Q scream through a set in Seattle a few weeks ago. (Check them out, Grams.) I try not to wonder if the kids are thinking, “What’s that old guy doing here?” Because that’s what I would have thought back in the day. But, to be frank, the reality is that I find more comfort in spinning an old Yes album, than knowing the next big underground thing. (I’ve taken to consuming critics year-end lists to find music I should’ve already known about. Big Thief!)

The Baby Boomers, those born between 1946 and 1964, got old. Boomers like Donald Trump and Dolly Parton, both born in 1946, are 73. The good news is that generation changed what it means to “get old.” If 73 is no longer “old,” 55 definitely is not. Ringo Starr will be on tour this summer for his 80th birthday, and Trump probably already has his sights on his post-indictment wife. (Sorry, Melania. Be best!) They made “thirty-something” cool in the eighties and they’ll probably make “eighty-something” cool in the 2030s.

So, lines on my face aside, there’s still a lot of life ahead. That includes mistakes, child-like moments of wonder, new paths, and nights pressed against the stage, remaining hair shaking to the beat.

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2019 in Review – 22 Snapshots and an Impeachment

December 31, 2019

I guess I’ve been a crummy blogger this year. When Cozy was a baby, I could squeeze out a couple of blogposts a week on everything from housework to feminist cowboy movies. In 2019, I only managed 22 posts. To be fair, I actually taught full-time the entire year. It felt good to be back at work. My wonderful students got to be the recipients of my random thoughts about the state of the world. And now that Cozy is a kindergartener, typing up cohesive essays is more of a luxury. Plus, I’ve spent much of my spare time chasing squirrels out of our attic.

I was excited that my writing still had an audience even though every single post wasn’t about Trump’s racism. My tribute to my late friend (and Atlanta punk icon) David Dickens had the most reads (1,900). My piece on the Christchurch killings was reprinted in The Peace Chronicle, which was a great privilege.

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2018 was a year of global travel. For 2019, I managed to stay mostly on the West Coast, with a few weeks in Mexico to give a couple of lectures in my favorite anthropology field school. I still managed plenty of world media appearances (especially CNN International), but my favorite media interview was when a rare tornado came right down our street. Under my name, instead of usual “HATE CRIME EXPERT” it said, “LIVES NEAR DOWNED TREE.” Much more exciting than an appearance in Turkish TV (which I also did in 2019).

Of course the driving theme of the year was growing blackhole being created by our idiot president, culminating in his impeachment on December 18. By that point I had written so many posts about his inevitable impeachment that the actual thing was anticlimactic and I didn’t even bother to comment on it. (I do wonder what will happen to all the ITMFA t-shirts that are so common here in Portland.) I’m sure I’ll have plenty to say as the divide widens even further in 2020, with Trump loyalists promising civil war if they don’t get their way. It’s like the country is being taken over by hordes of fascist babies.

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For me, the focus of 2019 was on my family. Working steadily gave me a better foundation to be grounded in the real and not the endless yammering on social media. My classes Portland Community College and my CLE trainings for attorneys gave me the professional connections I craved and I got to work on a few murder cases that let me to put my skills to work in very important arenas. This allowed me to not worry too much about financial issues, and focus on being present for Andrea and Cozy. Maybe the best moment was taking Cozy on a surprise trip to Disney in LA that included a stop at their animation studios where a friend showed her the work he was completing on Frozen 2. There was also a trip to Las Vegas to see The Beatles’ LOVE, twice! Family times was its own reward.

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The coming year will have plenty challenges. I imagine I will be commenting directly on the rise of anti-Semitic violence and the Trump cult’s threats to peace and equality. But my personal agenda will be focused on making good educational choices for my daughter, showing my wife how much I cherish her, and finally getting the squirrels out of the attic.

2019 WTW Posts

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“Thanks, punk!” (For David Dickens) (January 10, 2019)

Watching fragile men freak out over a Gillette ad (January 17, 2019)

Raising Honest Children in the Age of Trump (January 25, 2019)

A silly love song for my wife (February 14, 2019)

The Wisdom of Double Nickels: On Turning 55(February 22, 2019)

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On not dying youngish(March 5, 2019)

He Killed My Child: Meditations on Christchurch and the Sociopathy of White Supremacy (March 19, 2019)

I have found what I was looking for, Bono.(April 14, 2019)

Globalization and Nationalism: Get Ready for More Fascist Violence(April 28, 2018)

This War on Women and a Strategy to Defend Choice (May 20, 2019)

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Just Open the Damn Border (June 18, 2019)

Female Role Models For My Daughter (and all those boys) (July 7, 2019)

How Do You Solve a Racist Problem like Donald? (July 17, 2019)

Lita was one cool cat.(July 26, 2019)

Your loved one was just killed by an angry white man with a gun. OK?(August 4, 2019)

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Matterhorn not withstanding, we have a 5-year old (August 29, 2019)

Your biography is history: Taking in the Trump impeachment (October 3, 2019)

White People: If you aren’t actively anti-racism, you are pro-racism (October 23, 2019)

I was 5 once, too!(November 27, 2019)

Reelin’ in the Tens: What was this decade about anyway? (December 29, 2019)

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 Dad’s Top Discs of 2019 (December 30, 2019)

2019 in Review – 22 Snapshots and an Impeachment (December 31, 2019)

 

Dad’s Top Discs of 2019

December 30, 2019

In 2014, the provost of Portland State University brought in some expert to tell us the university as we know it, would “cease to exist in 50 years,” so we better get onboard with higher education moving online. He compared it to CDs replacing vinyl albums. I remember thinking that sometimes the old way is better and CD sales were fading fast. 2019 saw vinyl albums outsell compact discs for the fist time since the late 1980s. Vinyl has roared back into the marketplace. I wonder where that shithead “expert” is now.

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I certainly bought plenty of vinyl in 2019, including plenty of new releases. Nothing like spinning a black platter on a grey rainy Portland day. Here’s my annual list of my favorite albums of the year. In the top spot are some old friends of mine, drivin n cryin, from Atlanta. I picked up their new album, Live The Love Beautiful, in a record store in Austin, Texas and immediately fell in love with it. It represents everything I love about the conflicting themes of life in the South, the beauty and the stark desperation. 

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There are plenty of great 2019 releases that I haven’t discovered yet. I just bought the new Lana Del Ray album, Norman Fucking Rockwell, today. I’m dying to hear the new records from Beck and Nick Cave. There were other great albums that just missed my Top 20, like The Highwomen, Vampire Weekend, Little Sue, and The Dandy Warhols. These are just the 20 that I spent the most time with. 2019 was a year when listeners rediscovered the Paisley Underground and the Laurel Canyon sound. I didn’t have much time for auto-tuned hip hop but all the time in the world for Lizzo and her brilliant debut album.

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We also saw plenty of shows this year as we’ve been rebuilding our normal routine. Some great gigs from old friends passing thorough town, including Amy Ray, the Long Ryders, and the Waterboys. Great jazz in local Portland haunts and one show I was completely conflicted over, Morrissey at the Moda Center. He was a prat but was he a fascist prat? (Regardless, openers Interpol were brilliant.)

2020 is gonna be a rough year. There will be more unraveling before we come together. Hopefully the tension will produce some brilliant music. But here’s my 20 pixel snapshot of the end of the decade.

My 20 Favorite LPs of 2019

  1. drivin n cryin – Live the Love Beautiful 
  2. Lizzo – Cause I Love You
  3. The Beatles – Abbey Road Reissue Box
  4. The Waterboys – Where the Action Is
  5. Billie Eilish – When We All Fall Asleep, Where Do We Go?
  6. The Who – Who
  7. Amy Ray – Holler
  8. Miranda Lambert – Wildcard
  9. The Bangles, The Dream Syndicate, Rain Parade, and The Three O’Clock – 3 X 4
  10. Jeff Lynne’s ELO – From Out of NowhereUnknown-1
  11. Jenny Lewis – On the Line
  12. Our Native Daughters – Songs of Our Native Daughters
  13. Mavis Staples – We Get By
  14. Sleater-Kinney – The Center Won’t Hold
  15. Linda Ronstadt – Live in Hollywood
  16. John Coltrane – Blue World
  17. Solange – When I Get Home
  18. Bruce Springsteen – Western Stars
  19. The Raconteurs – Help Us Stranger
  20. Pistol Annies – Interstate Gospel

My best friend is 4

August 17, 2018

When Betty Friedan published The Feminine Mystique in 1963, illusion of the “happy homemaker” was forever shattered. Women were more than “Mrs. Joe Blow,” finding a sublime happiness in a spotless house with dinner on the table at six sharp. Feminist sociologist Dorothy Smith wrote that women were given the domestic sphere of the home so men could occupy the whole of the public sphere. Suddenly, the word was out and girls and women said, “I’m coming out into the wide word. Time for a little R-E-S-P-E-C-T!” (Forever love to our queen.)

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My experience flipping the script and becoming a house husband while my wife went off to work at various Portland law firms revealed some unexpected truths. Expectedly, as Friedan would have predicted, I hate housework. The reality of the that drudgery came rather quickly. But I’ve found a sense of fulfillment out of getting dinner on the table. The thrill of the grocery store hunt for ingredients (“Excuse me. Is pesto a spice?”), the kitchen assembly (while this week’s Spotify Discover Weekly playlist plays behind the Food Network website), and then the ultimate cliffhanger (Will they eat it??). John Lennon once said that, when he became a house husband, preparing a meal that his wife and child actually liked was better than making a hit record. I can totally relate, John. All we are saying is give pasta a chance!

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But the other part that has crept in is the intense bond I have built with my child, who turns four today. That moment when we brought her home from the wild ride of her birth, she was just this helpless little blob that looked like my father but acted more like a slug than a member of the family. In those four years she has become a full-fledged person with the world in her sticky palm. Yeah, she’s cute but,  yeah, she knows how to work it. Somehow she picked up on the social lessons of how to work a room. She’s got work to do before she truly understands how to win friends and influence enemies. She’s still fairly id driven – “What can you do for me? That might work for our emotionally stunted president, but we want her to ask, “What can I do for you?” I guess, until then, she’s just half-fledged.

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My wife can see the bond between Cozy and I. We have our own secret language (called Kupa Sana) and her weird hand mannerisms are the same as mine. (Sorry, kid.) We fill our days with adventures. This week we spent some time wandering around Lone Fir Cemetery, full of nineteenth century headstones of Oregon pioneers and twenty-first century headstones of Russian immigrants who lived through the rise and fall of the Soviet empire. We talked about life and death and how we can be sad when people die but happy because their memories surround us. “You mean, the spirits of all these dead people are floating around here?” she asked. I was worried that the death conversation would traumatize her, but, instead it gave her a sense of calm. I guessing that’s because she’s half Mexican (and really loved Coco).

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A few days later we trucked up to Sauvie Island to pick blackberries on an organic farm. The smoke from the west coast wildfires hung low, but we lost ourselves in rows and rows of sweet berries, learning which ones were sour (“Daddy, this one’s not ready. Can I spit it out?”) and which ones were perfectly sweet. We were in a little cubby hole of fruit, with the occasional tiny green frog crossing our path, laughing and eating more berries than we were putting in the bucket. Her face and hands were purple and I had a moment where I thought she had been sent to me from another dimension to help me connect the real world to the one that exists in dreams.

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It’s strange having such an intense connection to a child. Andrea is right in that we celebrate Cozy as the intersection of that’s everything that’s right about us. We had to bust through some seriously evil roadblocks just to be a couple. Cozy represents everything that is pure about our desire to be together. Her birthday is a reason to celebrate what a good job we’ve done. But she’s also her own entity that’s full of depth and wonder separate from us. Last night we took Cozy to see a band recreate The Beatles’ Sgt. Peppers’ album and on the first note of the third song she screamed “Lucy in the Sky with Diamonds!” This is my child. I vowed not to be the parent in “She’s Leaving Home” and held her tight.

Each moment of these four years has been a gift. I wonder about the fathers who see the “domestic sphere” as an alien, feminine space. Do they know what they are missing? Do they know the unadulterated thrill of having a child say, “Daddy, you make the best spaghetti ever!” (even when you know that they’ve only had spaghetti made by you). As much as I’m ready to return to full-time public life, this experience has given me a great friend and expanded my soul. I might not know who’s playing in town this weekend, but I know someone who digs nature walks,  old Batman episodes, and endless blackberries, and that’s cool enough for me. Happy birthday, Cozy Pozy.

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The World of Wonder in the Backyard

July 20, 2017

When I was little, I know I could look at a three-inch space on the ground or on a brick wall and find a whole world to become enchanted with. My parents had a massive hifi console in our living room. I’d play their records and stare into the blue “On” light on the base and imagine it was the rabbit hole into Alice’s Wonderland. I would plop down in my mom’s rock garden and find magical realms in the cracks and under leafs. Being small gave me a microscopic view of the world I think the adults missed. They were busy thinking about taxes and war and hippies ruining the nation. I was happy staring endlessly at ladybugs and pretending a peanut shell in a puddle was a speedboat.

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Once Cozy started walking we began going on strolls in the neighborhood to “see what we could find.” There were lots of stops to smell flowers and look for honeybees. The wall at Little Big Burger she is particularly fond of. (She gives it a little big hug every time we pass it.) Every step is filled with a reason to be amazed. To make it one block it can take an hour. “Daddy, what’s this?”

“It’s a leaf, honey,” Now we include hikes in Forest Park which might as well be the jungles of the Yucatan (where we all were a year ago.) It’s more than father-daughter time. It’s a time to experience the sense of wonder in the mundane. The sacred in the profane. The awesome in the gross.

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This summer we’ve been spending a lot of time in our yard. There’s a spider who lives on one of her old boots that we made into a planter. Of course she’s the “Itsy Bitsy” spider of song and legend. There’s a good 30 minutes watching her and the crows on the telephone wire who might want to gobble her up. Our small backyard has a bounty of delicious raspberries, dancing white butterflies, and bees harvesting pollen from our dandelion forrest. “See their legs, Cozy? How yellow they are? They’re going to turn that into honey!”

“Yum, Daddy! Can I go with them?”

At her daycare they go on “nature walks.” It’s a gaggle of 2-year-olds strolling through the neighborhood blocks looking for adventure. St. Andrews church is a “castle” they pass by. I’m sure local front yard gardens offer a thousand lessons. It must require a certain abound of zen to get these kids all headed in the same direction. Every step offers an opportunity to freak out over something the rest of us see as insignificant.

When I was a pre-schooler, my parents felt perfectly fine turning me loose into the woods by myself. I would build damns and collect leaves until Mom rang the dinner bell. Times have changed, but Cozy really doesn’t have to leave my sight to find a magical world under a rock or inside a hole in the porch steps. The big world doesn’t have much bearing on the microcosmos for a toddler.

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She’s become fascinated with a Netflix show called Beat Bugs. It’s the adventures of five bugs built around Beatles songs. (Yes, they have a friend who is a blackbird.) Their whole world exists in the backyard of a little girl not much older than Cozy. It’s full of music and mystery. Their joyous theme song is “All You Need Is Love.” I have to think Cozy thinks the same plot lines are playing out behind our house. (We’ve certainly got at least one Walter the Slug who is probably singing “I am the Walrus” as we sit here.) I see the show as a way to turn her on to Beatle music, but I’m starting to think it’s her bonding with other tiny things. We’ve been calling her “Bug” for a few years now so it makes sense that she feels more kinship with the ants on our sidewalk than the G-20 Summit.

The world is so big. A one trillion-ton iceberg just broke off of Antarctica. The President is having secret meetings with a Russian dictator (who may or may not have serious dirt on him) with no Americans present. Your kid’s talking doll might be a spy for the FBI. (Or in Trump’s case, the Kremlin.) A new study just found plastic particles in most brands of Mac & Cheese. There’s just a great weight of it all. It makes sense to take some time and find a small crack in the ground, one you step over every day. It’s actually a massive canyon teaming with life. Maybe it’s the Beat Bugs, or maybe real bugs. Let your mind go just for a minute like you did when you were a kid. If the earth is just a dot in the infinite universe, that crack is as important as we are.

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Seeing the world through Cozy’s eyes puts the big picture into perspective. (This blog post didn’t need to be very big.)

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How I Learned to Stop Fearing Teenage Girls and Started Loving Harry Styles

June 8, 2017

I love the new Harry Styles album and I don’t care who knows.

Obviously gender socialization has played a role in the music I’ve loved (I was a sergeant in the Kiss Army in 1977, after all), but it has also played a part in the music I am supposed to hate. So much of the “Disco Sucks” movement in the 70s was steeped in deep-rooted homophobia (and racism). Real (white) guys liked ROCK and anybody who liked the Bee Gees must be a “fag.” I chanted “Disco sucks!” with the rest of the boys but secretly thought “Staying Alive” was a pretty damn good song.

This was especially true with teen idols. I was taught to hate them the most. If teenage girls loved them, they must be devoid of any musical quality whatsoever. Those screaming girls care more about their haircuts and cute smiles than their musical chops. I mean, seriously, what kind of name is “The Beatles”? What will they ever accomplish?

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So here’s a secret. Circa 1973, 9-year-old Randy was seriously into The Osmond Brothers. (If you’ve never heard “Crazy Horses,” listen to it now, loud.) They had a cool Saturday morning cartoon (as did the Jackson 5 and Rick Springfield), and since there was no MTV, it was how I first “saw” my music. I would put their records on on my parents’ hifi and go into my bedroom and pretend “my brothers” were rehearsing in the living room. I was the Osmond they never talked about, Randy Osmond. I even had Donny’s album, My Best To You, so “Puppy Love” played in my house.

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I would read Tiger Beat magazine to keep up on all the latest news about my Saturday morning stars, including Michael Gray (Shazam!), Vince Van Patten and Kristy McNichol (Apple’s Way) and Johnny Whitaker (Sigmund & the Sea Monsters). I even learned a bit about religion. The Osmonds were Mormons and the Jackson 5 were Jehovah’s Witnesses. (I’m not sure what Sigmund and the Sea Monsters were. Lutherans?) That was until one day in late 1974.

I remember it as clear as a bell. I was standing in the hallway in our house with a copy of Tiger Beat trying to pull out a pinup of some fresh faced star (Anybody remember the DeFranco Family?). I already had one of David Cassidy on my wall. Then my 32-year-old father said, “Randy, you know those magazines are for girls, right?” It was a gender bomb dropped on my world. He signed me up for Boy Scouts, got me a subscription to Boy’s Life magazine and I quit the Osmond Brothers and switched my allegiance to Elton John. (I really hope you can see the irony in all this.)

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It was the beginning of bashing of all things teen idol related. Selling my soul to rock and roll was, at least in part, a way of publicly affirming my masculinity. When teen heartthrob Leif Garrett set a concert at Six Flag’s Over Georgia my friends and I made plans to go and throw tomatoes. (We didn’t.) And it’s been like that for every moppet that’s come along since then. Bay City Rollers? How about the Gay City Rollers. O-Town? More like O-Crap.  N’Sync = N”Suck. All the way through to Justin Bieber. I started a Twitter account to troll him called “Justin Bieber’s colon” and the Biebs himself started following my snark.

Now I couldn’t name you a single One Direction song. I know the tween lassies went potty for them in the early 2010’s, so they must suck, right? I just knew that they had stupid haircuts (unlike the stupid haircuts I had at that age that were perfectly cool). Just that week’s version of the Osmond Brothers filling the need for poster material in Tiger Beat.

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Then I saw the one with the stupidest haircut perform a track from his “solo” record (barf) on Saturday Night Live. It was Harry Styles and the song was “Sign of the Times.” Fuck me, it was good. Really good. Like Elton John good. It’s the kind of music that has been missing from Top 40 radio this millennium. Could there be more? The second song on SNL, “Ever Since New York,” was even better. Young Harry was playing guitar and there was a serious Badfinger influence. I wanted more.

When the album came out I wanted it and so did my wife. We were at Music Millennium Record Store and I completely chickened out and made her buy it. What would these lords of vinyl think of me if I plopped this CD down on the counter? Even if I stuck it between CDs by Sun Ra and Flogging Molly. Guys don’t buy this kind of dreck. She was slight angry at me about that one.

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Harry Styles has been spinning non-stop ever since. Pure pop bliss, with a dose of T. Rex and 70’s flair to sail over the heads of the One Direction Fan Club. It’s still the modern production formula with teams of songwriters helping Harry write the songs (Beyoncé does the same thing), so you never know if the sentiment belongs to the artist or one of the other five other guys credited. The producer is the guy who gave us “Uptown Funk.” There are plenty of reasons to hate it out of gate, but somehow it works. Every song is a gem and I am fully out as a Harry Styles fan.

The whole thing has caused me to reflect on over 30 years of a knee-jerk reaction that anything embraced by teenage girls is, by default, crap. It’s steeped in patriarchal thinking that somehow the musical tastes of 13-year-old boys are inherently superior to their female “teenybopper” counterparts and that the tastes and emotional lives of girls are irrelevant and to be devalued and mocked. Writer Barbara Ehrenreich once wrote that the wave of Beatlemania that swept America in 1964 was the first real flush of feminism for many baby boom girls. They were loudly proclaiming their sexual freedom as a collective voice. “Ringo! We want to rip your clothes off!” When I see the boys in the crowds at those Fab Four mob scenes, I always think they must really have been secure in their fledgling masculinity to be there (and incredibly lucky).

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Evolving is all about checking the crap you do without thinking. It’s time to stop writing off music because “girls” like it. I bet there might be a New Kids on the Block or Jonas Brothers song that’s not too bad. Frank Sinatra and The Monkees were in this category once. Maybe I actually should be paying more attention to what these screaming girls like. They were right about The Beatles. So thanks, Harry, for helping me to see the light.

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The Dream Police Are Inside My Head

October 6, 2016

How do you go back in time and fix a mistake to change the course of your life? How do you channel all the things you are passionate about into one story of redemption or escape?

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These were the questions I faced when I sat down to write The Dream Police early last year. The follow up to The Mission of the Sacred Heart was published this week and the Kindle version is available today. Like Mission, it is rooted in the true events of my life. Like Mission, it is a “rock novel,” a work of musical fiction, inspired by a classic rock album from my youth. And like Mission, it is a complex piece of literature that can’t easy be described in a quick elevator speech. But I think it is an important work that emerged from the plasma in my veins and the neurons in my synapses. So let me try to share with you why you might be interested in this story.

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First and foremost, anyone who reads this will probably be able to understand why I had to leave my tenured position at Portland State University last year. There is a sexual paranoia that has invaded college campuses. Disguised as the important and real work that is earnestly meant to stop sexual harassment and aggression in an institution that often turns a blind eye, it is a form of fake feminism that undermines actual feminism. It sees all women as victims and all men as aggressors and ignores the agency of women and the complexity of the sexual dance between consulting adults.

As a male feminist, I’ve wanted to write about this sticky swamp for years. Then it happened to me. I was the subject of a witch hunt that stopped cold the important work I was doing at the university, including raising awareness of the importance of dismantling patriarchal power. The question was what to do with my anger at the real villains in this true-life tale. I didn’t want to go on a workplace shooting spree (Who would the local media ask to comment on it?), so I chose to write this story.

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Second, as a Portland sociologist, there are a host of sociological issues I confront on a regular basis. Portland has been named the most gentrified city in America. My neighborhood tienda is being turned into an artisan salt shop as I write this. My first academic  publication in 1991 dealt with issue (although I called it “yupification”). Gentrification is changing the face of urban America and I feel like I’m in a good position to write about it. It becomes a metaphor for how are lives change around us in ways we both love and hate.

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My research on white supremacist groups began moving into prisons about ten years ago. White prison gangs, like the Aryan Brotherhood and European Kindred, have become a growing problem outside prisons, including a recent murder just outside of Portland. A former racist skinhead incarcerated in an Oregon prison instigated my nightmare at PSU, so it was a perfect opportunity to bring a bit of light to the issue.

There are plenty of other issues floating around, including how your favorite rock song becomes your least favorite commercial, the backlash against unionization, the grieving process following the death of loved ones, and the dangers of spending too much time online scrolling through your social media. All this gets folded into The Dream Police.

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Then there is the unifying theme of lucid dreaming. If you could be conscious in your dreams, what would you do? My first thought is that I’d go see The Beatles play. Maybe I’d revisit the woods I played in as a child. How about a beer with Karl Marx and Halle Berry? It’s wide open. Some people lucid dream every night. Andrea and I practiced it while I was writing the book and had some cool experiences. Zak and Lenny, the central characters of The Dream Police, use lucid dreaming to visit some musical landmarks, but also revisit moments in their own lives to explore alternative paths. Zak’s pregnant wife was killed in a car crash, so he’s fixated on going back in time to change just one small thing.

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Finally, this book is about music and how music moves us forward in life. When I was teenager, I spent a lot of time in my room listening to albums. This included Cheap Trick’s 1979 Dream Police LP. The record was a whole world to me and I constructed this book around that themes in that album and dozens of Cheap Trick songs. The book also deals with the growing voice of women in rock and the shrinking opportunities for musicians to capitalize on their own music.

I think it’s important to tackle the minefield of gender politics. I was honored to do it in the classroom for over twenty years. Social research and punditry are also forums for it and fiction is another. I was thrilled to be listed as one of the representatives of the new genre of musical fiction in Wikipedia. It’s a great opportunity to be like my teenage heroes, The Clash, and use a good backbeat to get people to think about big issues.

In the end, I just want to tell a good story and maybe take readers to some unexpected places. Author Brian Paone, in his review, wrote, “Blazak pushes the reader through an endless web of a chess game that every time you think you have checkmate, a pawn appears out of nowhere, sending everything you thought was real into a tailspin.” In the last few years I’ve been through a lot. I’ve also thought a lot and grown a lot. It all goes into a story that reflects the complexity and dream-like state of my own journey. It feels good to have created a piece of literary fiction that my daughter could read some day. I hope you will read it now.

NOTE: Because, as a parent I feel I have to do something about the children of Aleppo, 10% of all book sales are going to UNICEF’s Syrian relief fund.

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