Is “Civil War” a Preview of 2025?

April 22, 2024

I just walked out of the new Alex Garland (Ex Machina) film Civil War and am wondering if I need to arm up. The dystopian film, starring Kirsten Dunst and Wagner Moura as war journalists, feels a little like a flash forward to America after the fallout of the upcoming election. The film is clear not identify who the bad guys are, but America is under the leadership of a “third term president” who sure sounds like a certain authoritarian-wannabe we all know, currently on trial in a criminal court in New York City. The “Western Forces” of Texas and California (I about choked on my popcorn at that thought) are trying to retake Washington DC. I don’t want spoil any of the fun, but firefight between the Western Forces and the Secret Service on Pennsylvania Avenue is pretty lit.

The movie is more of a meditation on the need for emotional detachment required to document wars than a treatise on the polarized nature of the our uncivil society. There’s a scene where Dunst’s character, reflecting on her coverage of brutal foreign wars, states that the subconscious message of her war photos was, “Don’t do this here at home.” Oh, the irony. But my work has me highly focused on the “the don’t think it can’t happen here” scenarios. So my heart is racing.

I’ve written plenty in this blog about the looming fantasies of a second civil war from the far right, who made their first attempt in 1995 in Oklahoma City. This project I’m working on, funded by Homeland Security, has me spending an inordinate amount of time in spaces where the far right fantasizes about launching a second American revolution if Trump wins or loses.  If he wins, they’ll see it as a green light to string up woke traitors from lampposts and if he loses, they’ll see it as proof that democracy has been hijacked by “communist libtards,” only to be restored by the blood of patriots. Either way, there will be blood.

Not long ago I was in the parking lot of Home Depot near the Portland airport. I was parked next to a pickup truck with a ton of anti-Biden stickers. The truck had a very small “III %” sticker in the window. The Three Percenters are a local militia group that were heavily present at the January 6th attack on the U.S. Capitol. I waited to talk to him (after moving my car). When he came out, I struck up a conversation with him. (He also had a University of Oregon sticker, so that was my in.) “Hey, I noticed your Three Percenter sticker and I have to ask your position about armed violence.” He seemed surprised and a little leery I knew that deeply underground imagery. “We’re locked in loaded,” he calmly said. “When we get the call from above, we’re ready to go. Locked and loaded.” Stand back and stand by, someone said.

Whether or not the Bubba Militia would be able to defeat the U.S. military is another discussion, but if the Commander in Chief was also their commander, it might not be that hard. Even if they couldn’t, as Timmothy McVeigh demonstrated in 1995, they’re willing to take out a lot of innocent civilians in their long game to make America that again. That America, where kids were safe to play “Smear the Queer” in the street and you know who better be off the street when the sun goes down.

Civil War is just a movie. I was pretty freaked out the first time I saw Night of the Living Dead and I’m not too concerned about a zombie apocalypse (although HBO’s The Last of Us has me thinking about it). But we know the Trump harbors fantasies of a regime of retribution if he is elected, democracy be damned. And we know the heavily armed MAGA minions are fueled by the politics of grievance and entitlement. There’s a reference in Civil War to “Portland Maoists” and the “antifa massacre” that reminded me of the summer of 2020 when caravans of armed Trump supporters drove into Portland from the exurbs to attack BLM protestors. It just feels close, and that I should have a plan to protect my family.

In the meantime, while either side stockpiles supplies, I’m going to continue to find ways to bridge the divide. It does’t have to be like this. We have so much the unites us. Red state and blue states share some deep connections that can bring us back from the edge. Our movie can have a different ending.

A Zombie Ate My Baby! Social anxiety and the Walking Dead

March 28, 2016

As we all get ready for next week’s season finale of The Walking Dead it is understandable that our collective thoughts turn to zombies. I’ve loved the zombie genre ever since I saw the low-budget 1968 film Night of the Living Dead. It was at a midnight movie in Stone Mountain when I was 13 and I didn’t sleep all night. But as a parent, my consumption of zombie media has changed a bit. After the last Walking Dead episode I had a flash of stepping into the nursery and seeing a ravenous walker chomping on my daughter. Cozy had a look on her face that just said, “Daddy help me.” The horror. And if you know anything about the undead then you know by that point it’s just too late.

Let me point out before I go any further that there is no such thing as a zombie. Sure there are some people wacked out on bath salts or haunting 80s dance nights that might seem like they are zombies. And of course there are kids who “die” on the operating table and their parents convince them they went to heaven and should write a book that might technically be zombies for a moment. But other than some meth head that thinks your arm is a corndog, there are no zombies. So don’t waste a second worrying about World War Z.

31LT126a4SL._AC_UL320_SR214,320_

But the question remains; What is up with zombie-mania? And is there a feminist take on it? We’ve got movies, TV shows, video-games and comic books. You can buy zombie toys, costumes, t-shirts and even doorstops. We’ve gone zombie crazy! Are we hoping for the zombie apocalypse as a preferable alternative to a Trump presidency? Or is it perhaps an excuse to unleash our inner Rick Grimes and kill at will? What’s the appeal?

Not surprisingly a “sociology of zombies,” has been around for awhile. I would recommend Todd Platt’s “Locating Zombies in the Sociology of Popular Culture” (2013) for a recent overview. Usually, the explanation is rooted in some type of social anxiety, whether it was the Cold War and the fear of a nuclear apocalypse or now, in a post-9/11 world, it is a fear of the collapse of western society. We play out these “What If?” scenarios and imagine how we would respond when the shit hits the fan for real. Would we recreate a new authoritarian hierarchy, form a collectivist team response, or just devolve into every man for himself? (Women and children don’t usually fit anywhere in that last one, at least not in a good way.)

One of my right-wing pals told me yesterday that we don’t need illegal immigrants. And I said, “Who is gonna pick your food?” His response was that there was a time in America when most Americans worked on farms. I said, “Yeah, maybe 1816. In 2016 kids don’t even know what a fucking tomato looks like.” Face it, most of what we eat is processed. After your Kroger gets looted, next on the menu is your family pet. We would not do well in an apocalyptic setting where the food delivery app on your phone stops working.

So maybe the zombie thing is a reflection of our fear that society could collapse at any moment and we would be tested on our social survival skills. It seems like we are perpetually on the verge of the big flame out. Would you just blow your brains out or “man up” to fight the undead? Ah, there is a little clue to another explanation.

top10zombiegames

I was in the Big Brothers/Big Sisters program and my little brother was a sweet kid who had a touch of the developmental disability. He loved video games and taught me how to play Halo (which I found infinitely boring). His big fantasy was a zombie apocalypse so he could kill thousands of zombies. He would go into great detail of how he would shoot them, behead them, and set them on fire. It became clear that the zombies were stand-ins for all the people in his life who he wanted to dispatch with a sharp blade or a shotgun blast. He had a whole list of people he dreamed about killing.

In war movies, we don’t kill human beings. They are nips, gerrys, gooks, and hajis. In Westerns it’s savages. Science fiction body counts are aliens and robots. And in zombie shows, films, and games it is the undead. Each one a less-human than human enemy that we have permission to kill. For its time it is the act of dehumanization that allows us to vent our violent bloodlust against those who threaten our world somehow. Indians and Muslims and Zombies, the infected. Much was written about how the westerns of the 1960s used Native Americans as stand-ins for African Americans who threatened whites living on the urban frontier. Guns and blades allow us to re-establish the white male order over the chaos of the “diseased” other. And if we can bring a few women and people of color (and Michonne) along, all the better.

959bf65e172f9baa9413e922dff00a0b

If you watch The Walking Dead, you know (and probably love) the character Daryl Dixon, played perfectly by Boondog Saint Norman Reedus. I’ll admit I have a man crush in Daryl and would give anything if my hair could be that greasy (without my under-carriage being equally rank). And here’s why. Daryl is the iconic strong silent type and on a steel horse he rides. He’s best on his own. He doesn’t talk about his feelings or much of anything. He squints and kills in a primal way. He is Clint Eastwood in the the first 20 minutes of High Plains Drifter (1973). He is everything that is right about a film or show set in an apocalypse. He is also everything that is wrong with masculinity in our culture. (And Norman Reedus is absolutely nothing like this fictional character.)

In the real world, men don’t need to kill, abandon the group (Oh, there goes Daryl again.) and keep their emotions buried deep behind their “I don’t give a fuck about you” (sultry) eyes. I love Daryl because he is who I was told I was supposed to be when I was a boy. I used to practice squinting like Clint Eastwood when I was a kid. I tried to be silent and menacing. It sucked (or I sucked at it). That way is pain and loneliness. Feminism gave me permission to be a human instead of a cartoon character male. I don’t want to ride into the sunset. I want to hang out with my friends and family. No slaughter necessary.

The same right-wing friend asked me what I would do if some guy called my wife a “cunt.” I told him I’d tell the guy that vaginas are awesome and probably let my wife take it from there. He (and a very confused female friend) were horrified. How could I not immediately respond with violence? What would Daryl do?

I will continue to be a zombie fan. I live for the post-episode discussions of The Walking Dead on reddit. TWD fans are brilliant and clever and can find humor in deep meaning in the handle of Carl’s gun. (Oh, Carl.) I just wonder how much of the appeal is based on the push to use of violence against those who would challenge the existing order. Maybe I should be rooting for the walkers. Just don’t eat my baby!

12939179_10154005790757593_570809958_n