albums

Dad’s Top Discs: Favorite Albums of 2025

~ Randy Blazak ~ Leave a comment

December 17, 2025

2025 was a weird year for music. There was so much anxiety as Trump drug America into the gutter, I kept waiting for the soundtrack to kick in to amplify our revolution. Luckily we had regular gems dropped by Jesse Welles, the Arkansas bard. Watching him perform “Join ICE” on Colbert last month gave me hope that protest music still matters. I leaned heavily on the North Carolina punk band, The Muslims and their great 2021 album, Fuck These Fuckin Fascists, to get me through. That and my local jazz station, KMHD. But there were a dozen or so new releases that really brought me immense listening pleasure this year.

My 11-year-old daughter, who one year ago was a hardcore Swiftie, buzzing from seeing one of Taylor’s final Eras concerts, has moved on. “Dad, you love Taylor Swift more than I do.” I get what’s happening. She’s differentiating herself. I’ve loved the K-Pop that is now at the top of her charts, especially Stray Kids, but if I like it TOO much, I’ll ruin it for her. We did have a great moment in October listening to Swift’s new The Life of a Showgirl stream through the house (from separate rooms). Cozy was meh, and I was blown away by the song craft and the dialed back production that seemed very 70s FM to my ears. This is the Taylor Swift album I’ve been waiting for. By the fifth track, “Eldest Daughter,” I knew this album would be spinning non-stop.

It was a great year to be a Beatle fan, starting off with the best Ringo Starr solo album in ages, Look Up, where our drummer goes back to his first love of country music with great joy. The thirtieth anniversary of the Beatles Anthology series gave us Anthology 4. The collection included 13 unreleased tracks, plus the three remastered “Threatles” songs. The compilation was so lovingly assembled by Giles Martin, it felt like stepping into the studio with the boys. There is still magic to be discovered (and the Rubber Soul cuts were revelatory).

My absolute favorite discovery of 2025 is the Denver band, Dead Pioneers, fronted by Paiute spoken word artist, Gregg Deal. Their 2023 debut album and 2025’s PO$T AMERICAN slam punk rock power and indigenous indignation in a way that is both humorous and revolutionary. The PO$T AMERICAN tracks, “My Spirit Animal Ate Your Spirit Animal” and “STFU” nearly blew out my speakers this year. After the first listen, I immediately ordered a Dead Pioneers t-shirt and began saying prayers that they’d come to Portland. There has been a great void in my music collection by indigenous artists. If anyone should be raging against the machine in ICE America, it’s the first people. PO$T AMERICAN is everything I loved about The Clash 45 years ago. The more I listen the more I learn and the louder the drums get.

So here is my dozen discs for ’25.

  1. Dead Pioneers – PO$T AMERICAN
  2. Jesse Welles – Under The Powerlines II
  3. The Beatles – Anthology 4
  4. Taylor Swift – The Life of a Showgirl 
  5. Tyler Childers – Snipe Hunter 
  6. Wet Leg – Moisturizer 
  7. Rosalía – Lux
  8. Geese – Getting Killed 
  9. Jon Batiste – The New Americana Collection 
  10. Bad Bunny – Debí Tirar Más Fotos 
  11. Sabrina Carpenter – Man’s Best Friend
  12. Ringo Starr – Look Up

Dad’s Top Discs of 2023

~ Randy Blazak ~ 1 Comment

December 19, 2023

2023 A.D. will always be the first (and only?) year that my daughter saw new releases from the Beatles and the Stones in the same year. The thrill of taking her to the record store to get the new Rolling Stones album and ask for the “new single by the Beatles” created great memories for both of us. Obviously, for us Beatle freaks, the release of “Now and Then” in November was the musical highlight of the year. Cozy proclaimed it her “favorite song of all time” and I devoted an episode of my YouTube channel to it. I’ll never forget first hearing John’s AI cleaned up voice singing, “I know it’s true.” Chills to have the Fab Four together one last time.

There wasn’t a massive concert binge this year. The highlights were taking Cozy and her friend to see Ringo Starr in Bend in June and the brilliant DakhaBrakha show at Revolution Hall in August. Most of the live music was enjoyed at small local Portland venues, like Mississippi Studios, No Fun, and Turn, Turn, Turn (which is sadly closing at the end of year). I am looking forward to shows at the new Doug Fir in 2024.

2023 was year I really utilized Spotify to do some deep dives. Long chronologies of Brian Eno and explorations of Ethiopian jazz, the thrill of having an ever expanding universe of music was like my teenage dream manifest. I used Spotify to make probably hundreds of playlists (I currently have 925 playlists on the platform) and even used it to DJ a loft party in the East Village in New York in February. Its ease of use certainly cut into my album purchases in 2023.

Most of my vinyl purchases (Did I even buy a CD in 23?) were old jazz sides from the numerous little record stores that keep popping up in my neighborhood. I did listen to a lot of albums, especially by Taylor Swift (Sorry, not sorry.) 2023 was the year I became a fan, especially of her brilliant 2022 release, Midnights. I finally got it. And it gave me a fun way to connect with my students, dropping TS lyrics in the middle of lectures. The album that dominated the year (and my car radio) was the Barbie soundtrack. It exploded into the music world much the way the Saturday Night Fever soundtrack did in 1977. Some of the hype of 2023, I just didn’t get. Boygenius I thought was a snooze fest. And, even though I’ve been massive fans in the past, releases by PJ Harvey, Yo La Tengo, and Sufjan Stevens didn’t catch my attention (but I did dig that one new Paramore song, “This is Why”).

So here is my annual Top 20. Not necessarily the 20 best releases of 2023, but the albums I spent a lot of time on and really lived in. At the top of the list is a Brooklyn band called Geese. Their album, 3D Country (released in June) was the most wide open (in the style of John Spencer Blues Explosion) and yet diverse album of the year. Their track, “I See Myself” wormed its way into my soul and I’m sure made it on to many mixtapes of young hipsters in love. Besides the Stones, some old favorites showed up, including Dolly Parton and her  “rock” album (worth it for her environmental anthem, “World On Fire”) and Dexy’s Midnight Runners and their feminist manifesto, Feminine Divine.

Here we go.

  1. Geese – 3D Country
  2. Rolling Stones – Hackney Diamonds
  3. The New Pornographers – Continue as a Guest
  4. Olivia Rodrigo – Guts 
  5. The National – First Two Pages of Frankenstein
  6. Taylor Swift – 1989 (Taylor’s Version) 
  7. Lana Del Rey – Did You Know That There’s a Tunnel Under Ocean Blvd
  8. Jason Isbell and the 400 Unit – Weathervanes 
  9. John Cale – Mercy 
  10. Blur – The Ballad of Darren 
  11. Anohni (Antony & the Johnsons) – My Back Was a Bridge For You to Cross
  12. Fred Again and Brian Eno – Secret Life
  13. Dexys – Feminine Devine 
  14. Dolly Parton – Rockstar 
  15. Bob Dylan – Shadow Kingdom
  16. The Kills – God Games
  17. Quasi – Breaking the Balls of History 
  18. Ryuichi Sakamoto – 12
  19. Black Thought – Glorious Game
  20. Brad Mehldau – Your Mother Should Know: Brad Mehldau Plays The Beatles

Honorable mention for albums from Rhiannon Giddens, PIL, Rancid, The Zombies, Rufus Wainwright, Bad Bunny, and Metallica. I still need to listen to that new Wilco album. (And this week the ANOHNI album is my favorite.)

Dad’s Top Discs of 2022

~ Randy Blazak ~ 1 Comment

December 14, 2022

I’m not sure if there has been a musical theme this year. I’ve spent a lot of the year listening to Polish and Ukrainian music during and following my trip into the war zone. Replaying “Szal Niebieskich Cial” by Maanam in my Krakow hotel room, waiting for my ride to Auschwitz, or blasting “Бабушка” by the Russian rap artist L-Jane as we sped towards Lviv with the smoke from Russian rocket attacks in front us will always be powerful musical memories.

The best concert of the year was easily the DhakaBrakha show in Beaverton on September 30. The Ukrainian band enchanted us and compelled us to act. Their other-worldly sounds had Andi squeezing my arm and me in tears thinking of the people I left behind there. The images behind the quartet conveyed that this was more than just a concert. It was a desperate plea for global action. In Beaverton.

Like last year, I was devoted to making endless playlists on Spotify. This included 35 playlists for Andi while she was living in her apartment, with titles like, “Tied to the Whipping Post” and “So It’s Come to This, Barry Manilow.” Andi’s back home but we’re still not back together, so I will step up my playlist game in 2023.

As part of my Spotify playlist obsession, at the end of each month, I listened to at least one song of the 100 to 200 albums that were released that month (thanks to Wikipedia), making a playlist representing that month’s music. So I have quite literally listened to at least one song from each major release in 2022. That’s a lot of K-Pop and death metal. But it gave me a good overview of the year and lots of new discoveries, like Norway’s Blood Command. While I was looking for love lost songs, I found plenty of punk and metal albums that gave me the energy to swim forward.

So here is my annual “Top 20” list. Maybe not the twenty best albums, but the albums I enjoyed the most this year. The top three reflect the diversity on the list. Wet Leg’s debut album brought me back to the clever wordplay that I loved in 80s new wave music. The Smile’s A Light for Attraction Attention is essentially a Radiohead album and it transported me the to the ambient beep bop boop that helped be drift off on those endlessly lonely nights. At the top of the pile is the New Jersey punk band, Titus Andronicus. Their sweeping opus, The Will to Live, was joyous, earnest, and empowering. I played “I’m Screwed” a thousand times, always at full volume. It’s exactly what I needed to survive 2022.

The rest of the list has some old friends, like Harry Styles and Miranda Lambert, and releases I just lost myself in, like Soli’s beautiful tribute to Miriam Makeba. Giles Martin’s remix of The Beatles’ Revolver was orgasmic, especially when experienced with a gummy or two. I’m sure 2023 will have some favorite artists I don’t yet know exist. No doubt I will be listening to more music with my daughter who will turn nine in nine months. But here’s my soundtrack this year that has been like no other.

1. Titus Andronicus – The Will to Live

2. The Smile – A Light for Attraction Attention

3. Wet Leg – Wet Leg

4.  Blood Command  – Praise Armageddonism

5. Harry Styles – Harry’s House

6. The Linda Lindas – Growing Up

7. Somi – Zenzile: The Reimagination of Miriam Makeba

8. The Beatles – Revolver Super Deluxe Edition

9. Adrian Quesada – Jaguar Sound

10. Todd Rundgren – Down with the Ship

11. Viagra Boys – Cave World

12. Rosalía – Motomami

13. Natalia Lafourcade – De Todas las Flores

14. Drive-By-Truckers – Welcome to Club XIII

15. Miranda Labert – Palomino

16. Bebehoven – Light Moving Time

17. Big Thief – Dragon New Warm Mountain I Believe In You

18. Beyoncé – Renaissance

19. Father John Misty – Chloe and the Next 20th Century

20. Various Artists – Elvis (Original Motion Picture Soundtrack)

Dad’s Top Discs of 2019

~ Randy Blazak ~ Leave a comment

December 30, 2019

In 2014, the provost of Portland State University brought in some expert to tell us the university as we know it, would “cease to exist in 50 years,” so we better get onboard with higher education moving online. He compared it to CDs replacing vinyl albums. I remember thinking that sometimes the old way is better and CD sales were fading fast. 2019 saw vinyl albums outsell compact discs for the fist time since the late 1980s. Vinyl has roared back into the marketplace. I wonder where that shithead “expert” is now.

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I certainly bought plenty of vinyl in 2019, including plenty of new releases. Nothing like spinning a black platter on a grey rainy Portland day. Here’s my annual list of my favorite albums of the year. In the top spot are some old friends of mine, drivin n cryin, from Atlanta. I picked up their new album, Live The Love Beautiful, in a record store in Austin, Texas and immediately fell in love with it. It represents everything I love about the conflicting themes of life in the South, the beauty and the stark desperation. 

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There are plenty of great 2019 releases that I haven’t discovered yet. I just bought the new Lana Del Ray album, Norman Fucking Rockwell, today. I’m dying to hear the new records from Beck and Nick Cave. There were other great albums that just missed my Top 20, like The Highwomen, Vampire Weekend, Little Sue, and The Dandy Warhols. These are just the 20 that I spent the most time with. 2019 was a year when listeners rediscovered the Paisley Underground and the Laurel Canyon sound. I didn’t have much time for auto-tuned hip hop but all the time in the world for Lizzo and her brilliant debut album.

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We also saw plenty of shows this year as we’ve been rebuilding our normal routine. Some great gigs from old friends passing thorough town, including Amy Ray, the Long Ryders, and the Waterboys. Great jazz in local Portland haunts and one show I was completely conflicted over, Morrissey at the Moda Center. He was a prat but was he a fascist prat? (Regardless, openers Interpol were brilliant.)

2020 is gonna be a rough year. There will be more unraveling before we come together. Hopefully the tension will produce some brilliant music. But here’s my 20 pixel snapshot of the end of the decade.

My 20 Favorite LPs of 2019

  1. drivin n cryin – Live the Love Beautiful 
  2. Lizzo – Cause I Love You
  3. The Beatles – Abbey Road Reissue Box
  4. The Waterboys – Where the Action Is
  5. Billie Eilish – When We All Fall Asleep, Where Do We Go?
  6. The Who – Who
  7. Amy Ray – Holler
  8. Miranda Lambert – Wildcard
  9. The Bangles, The Dream Syndicate, Rain Parade, and The Three O’Clock – 3 X 4
  10. Jeff Lynne’s ELO – From Out of NowhereUnknown-1
  11. Jenny Lewis – On the Line
  12. Our Native Daughters – Songs of Our Native Daughters
  13. Mavis Staples – We Get By
  14. Sleater-Kinney – The Center Won’t Hold
  15. Linda Ronstadt – Live in Hollywood
  16. John Coltrane – Blue World
  17. Solange – When I Get Home
  18. Bruce Springsteen – Western Stars
  19. The Raconteurs – Help Us Stranger
  20. Pistol Annies – Interstate Gospel

Father Randy’s Top 20 LPs for 2016: Back to Vinyl

~ Randy Blazak ~ 2 Comments

December 27, 2016

Near the end of my tenure at Portland State University, the provost instituted her “challenge,” called reTHINK PSU, designed to encourage the growth of the use of technology to expand the university . She invited a speaker to get the faculty onboard the move to online education. He repeated the Nathan Harden line, that in fifty years half the brick and mortar colleges and universities in the country would be history, replaced by websites (probably run by some kid in India). The message was get on the train or get left at the station. He tried to make the point by claiming that CD technology had replaced vinyl records, so get ready for college professors to go the way of the Foghat album.

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Ironically I was listening to this talk sitting in my office in Cramer Hall as it streamed on the university server. If I had been in the room, I would have jumped up to say that CDs sales were tanking, but vinyl was making a massive comeback, growing even faster than downloads and streaming music. Fortune magazine reported in April that vinyl album sales were at a 28-year high. Turns our kids want their Taylor Swift on wax (and their teachers in the goddamn classroom). Sometimes the old way is the best.

I say this because I really fell off my hipness high horse this year. The arrival of the baby in 2014 got me out of the cavalcade of live shows and endless hours in record stores. In 2016, between a rampaging toddler, the effort to return to work, busting Trump’s tiny balls, and finishing my new novel, The Dream Police, I just abdicated my staples for side-lined music aficionadodom. My favorite podcasts,  All Songs Considered, Sound Opinions, and Alt Latino, went un-downloaded. Our local weeklies, Willamette Week and The Portland Mercury, remained in their boxes on NE Alberta Street. An occasional breeze or hip kid would blow in to let me know what was up, but I missed so much. Did you know that Radiohead put out an awesome album in 2016? Of course you did.

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Where I kept things real was on the vinyl front. A large chunk of the new releases I bought this year were on vinyl (including a bootleg vinyl release of Frank Ocean’s long-awaited follow up to the brilliant 2012 release, Orange). I couldn’t stop buying vinyl, at Amoeba Music in LA and Peaches in New Orleans, and a dozen record stores in Portland. Old, new, kids’ records, 45’s, and even Herb Albert and the Tijuana Brass from the 50 cent bin at Everyday Music. Solange just sounded better on vinyl and Bowie had to be experienced deep in the ruts. The ghost is the grooves, not the machine.

Andrea and I took our love of LPs into the sharing economy. Our basement just became an AirBNB called the Alberta Vinyl Den. Each guest lets me know his or her music tastes when they make a booking and I stock the room with a dozen albums from my massive collection. So guests get to feel like they are staying in the record store of their dreams, complete with a turntable and a refrigerator full of beer.

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2016 was a still a great year for music. With the blessing of babysitters we did manage to see some great shows, including some true classics; Patti Smith, Paul McCartney, Brian Wilson, Bruce Springsteen, and the Electric Light Orchestra at the Hollywood Bowl (a double bucket list item). We saw some good world music, like Bomba Estereo and Bombino. We saw a wildly drunken gig by Greasy Alice in New Orleans and caught a show by old friend Chris Robinson that took us down a rabbit hole. I just caught Georgia underground pioneers Pylon at Mississippi Studios. (Last time I saw them was at the Agora Ballroom in 1983.) Earlier in the year we caught a barely attended show there by Sir Paul’s son, James McCartney and got to chat after the gig. Other than the Cuban band we saw every Sunday during our summer on Isla Mujeres, I think my favorite show of 2016 was Father John Misty at Edgefield in the pouring rain surrounded by a thousand other dudes with beards. It was perfectly Portland.

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So here is my Top 20 favorite albums of 2016, recognizing that I’m surely missing a ton I will discover in 2017 or 2027. (Nick Cave’s new one? Someone said it was killer.) I really think we’ll be talking about the Beyoncé and Solange albums 50 years from now.  A serious thanks to the gang at Music Millennium for pointing me in the right direction on some good stuff.

  1. David Bowie – Blackstar
  2. Beyoncé – Lemonade
  3. Y La Bamba – Ojos del Sol
  4. Solange – A Seat at the Table
  5. Drive-By-Truckers – American Band
  6. Miranda Lambert – The Weight of These Wings
  7. Michael Kiwanuka – Love & Hate
  8. Frank Ocean – blond
  9. Rolling Stones – Blue & Lonesome
  10. Bombino – Azel
  11. Patti Smith – Horses: Live at Electric Ladyland Studios
  12. The Beatles – Live at Hollywood Bowl
  13. Bob Dylan – Fallen Angels
  14. Carla Morrison – Amor Supremo
  15. The Bangles – Ladies and Gentlemen…
  16. A Tribe Called Quest  – We got it from Here… Thank You 4 Your Service
  17. Sturgill Simpson – A Sailor’s Guide To Earth
  18. Chris Robley – The Great Make Believe
  19. Ages and Ages – Something to Ruin
  20. Cheap Trick – Bang, Zoom, Crazy… Hello

Here’s to more music on vinyl in 2017. And more professors in classrooms.