Dad’s Top Discs of 2019

December 30, 2019

In 2014, the provost of Portland State University brought in some expert to tell us the university as we know it, would “cease to exist in 50 years,” so we better get onboard with higher education moving online. He compared it to CDs replacing vinyl albums. I remember thinking that sometimes the old way is better and CD sales were fading fast. 2019 saw vinyl albums outsell compact discs for the fist time since the late 1980s. Vinyl has roared back into the marketplace. I wonder where that shithead “expert” is now.

Unknown

I certainly bought plenty of vinyl in 2019, including plenty of new releases. Nothing like spinning a black platter on a grey rainy Portland day. Here’s my annual list of my favorite albums of the year. In the top spot are some old friends of mine, drivin n cryin, from Atlanta. I picked up their new album, Live The Love Beautiful, in a record store in Austin, Texas and immediately fell in love with it. It represents everything I love about the conflicting themes of life in the South, the beauty and the stark desperation. 

71PeuZS9LZL._SY355_

There are plenty of great 2019 releases that I haven’t discovered yet. I just bought the new Lana Del Ray album, Norman Fucking Rockwell, today. I’m dying to hear the new records from Beck and Nick Cave. There were other great albums that just missed my Top 20, like The Highwomen, Vampire Weekend, Little Sue, and The Dandy Warhols. These are just the 20 that I spent the most time with. 2019 was a year when listeners rediscovered the Paisley Underground and the Laurel Canyon sound. I didn’t have much time for auto-tuned hip hop but all the time in the world for Lizzo and her brilliant debut album.

Screen Shot 2019-12-30 at 6.37.50 PM

We also saw plenty of shows this year as we’ve been rebuilding our normal routine. Some great gigs from old friends passing thorough town, including Amy Ray, the Long Ryders, and the Waterboys. Great jazz in local Portland haunts and one show I was completely conflicted over, Morrissey at the Moda Center. He was a prat but was he a fascist prat? (Regardless, openers Interpol were brilliant.)

2020 is gonna be a rough year. There will be more unraveling before we come together. Hopefully the tension will produce some brilliant music. But here’s my 20 pixel snapshot of the end of the decade.

My 20 Favorite LPs of 2019

  1. drivin n cryin – Live the Love Beautiful 
  2. Lizzo – Cause I Love You
  3. The Beatles – Abbey Road Reissue Box
  4. The Waterboys – Where the Action Is
  5. Billie Eilish – When We All Fall Asleep, Where Do We Go?
  6. The Who – Who
  7. Amy Ray – Holler
  8. Miranda Lambert – Wildcard
  9. The Bangles, The Dream Syndicate, Rain Parade, and The Three O’Clock – 3 X 4
  10. Jeff Lynne’s ELO – From Out of NowhereUnknown-1
  11. Jenny Lewis – On the Line
  12. Our Native Daughters – Songs of Our Native Daughters
  13. Mavis Staples – We Get By
  14. Sleater-Kinney – The Center Won’t Hold
  15. Linda Ronstadt – Live in Hollywood
  16. John Coltrane – Blue World
  17. Solange – When I Get Home
  18. Bruce Springsteen – Western Stars
  19. The Raconteurs – Help Us Stranger
  20. Pistol Annies – Interstate Gospel

Your biography is history: Taking in the Trump impeachment

October 3, 2019

When I was a teenager in the late-1970s, I wished I had been a teenager in the 1960s, so I could have swum in the countercultural revolution. Of course, I was already in history. It was called the punk rock rebellion, and there are a million kids now who wished they could have been in my shoes, buying Ramones albums (on vinyl!) as they came out. I was just too close to it to see it as a moment in history. It was just my life.

41qCZndDFNL._BO1,204,203,200_

The great sociologist C. Wright Mills argued that for people to start to understand how society works they have to understand their own biographies as history. When we read a biography, we see it as a reflection of the history that was unfolding around that person’s life, whether it’s the biography of George Washington or Judy Garland. My students are reading The Autobiography of Malcolm X this quarter and you can’t view the life of Malcolm Little/Malcolm X/Malik Shabazz outside of the context of the racially oppressive twentieth century. His biography is the history of hi century.

And so is yours. The goal of any individual should be to create a biography that both reflects the times and impacts the times. Live in the moment and shape the moment. You are living history. Most fascinating of all histories is the present.

Screen Shot 2019-10-02 at 11.06.37 PM

This couldn’t be any truer than right now. This era will be analyzed for centuries. People are still debating whether or not the French Revolution worked. That won’t hold a candle to the late night conversations students, history buffs, and robots will have about the spectacular rise and fall of Donald J. Trump. We are in perhaps the most significant turning point in U.S. history since the test of World War II. This generation may be witnessing the end of the American Century or the birth of a global youth revolution to save the Earth, sparked by a Swedish kid with Aspergers who demonstrates more class and intelligence than our president does on his very best day (which, I know, isn’t saying much).

screen-shot-2017-02-23-at-11-12-57-pm

I cut my political teeth on the Watergate hearings in 1973. I was 9-years-old and watched it with rapt attention. When Nixon named Gerald Ford as his vice-president in 1974, I knew there was a quid pro quo that would lead to Ford’s pardon of Tricky Dick. My first trip to the White House was while Nixon was deciding to bug out instead of enduring impeachment proceedings. I probably could have stolen the china and they would have assumed Pat Nixon was looting the place before their shameful exodus.

It felt like history was happening and it feels that way again. The impeachment of Bill Clinton felt more like politics as usual. Bill’s shenanigan’s definitely sparked a national conversation about what constitutes “sex.” (To future generations, blow jobs are, in fact, sexual relations.) It all unfolded during my disastrous first marriage and I don’t doubt that couples across the country were having uncomfortable conversations about the nature of infidelity thanks to the Oval Office antics of Slick Willy. But it didn’t seem monumental, just sad. This feels monumental.

R1325_FEA_Cortez1

History is always happening and always has a soundtrack. Yeah, the upheaval of 1968 had the Beatles’ “Revolution” and the Rolling Stones’ “Street Fighting Man,” but you better believe the “look backs” 20 years from now will have Billie Eilish and Lizzo playing along. (“Why men great ’til they gotta be great? Don’t text me, tell it straight to my face.”) This moment in history is framed by news apps, bipartisan divides, and generational warfare. The old white men would rather die guns blazing and burn the house down on their way out than see young women (especially young women of color) even the playing field. Sorry Mitch McConnell, the future of America looks more and more like Alexandria Ocasio-Cortez every day. We’re no longer being handed history by Walter Cronkite on the CBS Evening News, we’re finding it on our phones and Twitter feeds. And we’re sharing the news that the Orange Emperor has no clothes. (Cannot unsee!)

MV5BMTM4NjY1MDQwMl5BMl5BanBnXkFtZTcwNTI3Njg3NA@@._V1_UX182_CR0,0,182,268_AL_

There’s a great 2011 Woody Allen film called Midnight in Paris all about how we over-romanticize the past. It was always better in some previous era. I’ve often thought about how great it would be to live in the Bohemia of 1840’s Paris or 1950’s San Francisco. No doubt the food would suck in both and no wi-fi to boot. The same is true for the Make America Great Again suckers who think the country was better off back in the days of Jim Crow. (Also no wifi.) This is the moment to be in. This crisis. This opportunity for transformation.

I’m committed to taking all this in, every presidential tweet storm, every unhinged Rudy Giuliani interview, every cabinet member indictment, every smirking Stephen Colbert monologue. Future generations will ask us what it was like to witness the compete collapse of America’s mad king. I’ll tell them I LMAO. They’ll have no idea what I’m talking about.