2028: A Letter to My 14-year-old Daughter at the Half-way Mark

September 27, 2021

Our daughter, Cozette turned seven last month and she’s way ahead of where I was in terms of coolness. When I was a new second grader at Highland Christian Academy, I didn’t even know the #1 single for that week (“Maggie May”), but I did know the Frito Bandito song. Cozy can riff on some Dua Lipa cuts and has a vast knowledge of classic rock lyrics. (She has a soft spot for Lindsey Buckingham’s Fleetwood Mac songs.) Cozy is well-versed, from Coltrane to Storm Large.

It just dawned on me that, at 7, she is halfway to 14, which was a big year for me and my musical coming out, so I thought I should write her a letter now and tuck it away on this blog until 2028.

Dear Cozy,

Happy 14th birthday! Every day with you has been a thrill and it’s so exciting to see you ready to rock 9th grade. You have turned into the most joyful, complex, and kind young woman I know. And even though your mom and I have had some influence, who you are comes from some wonderful spark that exists deep inside you. I thought I’d use this moment to tell you a little bit about what I was like when I was 14 and make a birthday promise to you.

I turned 14 fifty years ago in 1978. It was a great year of self-discovery and what I like to think of as my “musical coming out” year. You know what a role music has played in my life, starting with my pre-school raiding of my parents jazz records and endless hours listening to your grandmother playing Scott Joplin rags on the baby grand piano in our living room. But 1978 was different. It was the year your grandparents started letting their oldest son go to concerts without adults!

I already had caught the concert bug the year before. (Ask me someday what it was like to see Kiss in concert in 1977). For some reason, once I turned 14, my folks trusted me enough to let me go to concerts with my friends. And we went to every big show that came through Atlanta, from Blondie (at the Fox Theater) to Black Sabbath (at the Omni). In fact, if you listen to the 1978 live Blue Oyster Cult album, Some Enchanted Evening, (recorded at the Fox Theater) you can hear Charlie, Richie, and I screaming our lungs out.

You know how exciting live music is. Officially, your first concert was U2 in Vancouver, BC on May 15, 2015. For the record, you were 9 months old and The Edge fell off the stage. We’ve been to countless shows together since then. You know about the anticipation swelling as the main act is about to take the stage. You know about singing along with the actual people on the recording. You know about your ears ringing when it’s all over.

When I was 14, the other element at concerts was drugs. A lot of drugs. And everything else. I remember a guy drinking straight Jack Daniels before a Who concert, and telling everyone it was his life’s dream to see The Who in concert. By the time The Who took the stage, he was passed out drunk. Missed the entire show. I’m sure he told all his friends how brilliant the concert was. Those concerts were too important for me to miss a thing. I was clear-eyed sober, focused on every element of the experience, every guitar solo, every screaming fan pressed against the stage. And I remember them all 50 years later. Just a suggestion about the value of a clear head. You’ll want to remember this stuff.

Concerts were where I found my tribe. Other music fanatics and the various subtribes. By 15, I was firmly in the mod/punk/new wave tribe and going to Ramones shows. But at 14, it was all brand new. I people watched as much as band watched.

So you are at a magical spot right now. Given life expectancies in 2028, you’ve got another 70+ years of life ahead of you. That means you’ve got 14 years behind you, much of which you don’t remember because you were little, and 70 years ahead of you. The future is wide open. Most of my life is behind me, which is why I bore you with stories of the distant past. But for you there is this incredible newness and potential wrapped up in every experience. I would give anything to hear music that way I did in 1978. For my 14th birthday, I got the debut album of a band called Van Halen and you would have thought the Rapture had unfolded on Earth. That album was like a lightning bolt from God. (Our poor neighbors in Stone Mountain who had to tolerate me playing “You Really Got Me,” at full volume over and over again.) I can listen to that record now and it sounds nothing like it did when I was 14. Now, it’s just a classic rock classic. Then, it was EVERYTHING.

I know kids always get tired of us old folks saying, “Youth is wasted on the wrong people,” or “enjoy your youth.” But we’re speaking from a place of regret. I wish I would have known about the magic of 14 when I was 14. I just wanted to be 18, or 25, or 30. (Definitely not 64.) I’m begging you to take it all in. Close your eyes and turn the volume up all the way. Take a minute to feel how the sound lands on your body and what it connects you to in this moment in history. For me, it gave me the dream of escape; to the lower east side of Manhattan, to Liverpool, to London, or to wherever Styx wanted me to sail away to.

That’s my request. Listen and connect your music to your space and time and maybe your own tribe. My promise is, now that you’re 14, you can go to concerts without me. You have a great set of friends and I trust you to be there for the music. I will still drop you off and pick you up (unless I need my driverless car to do it), but you are free to be as fully into the experience of live music as I was at your age. And feel free to pick music that you think I will hate, because that’s also what 14 is about. (Bringing home the Sex Pistols album at 14 almost got me booted from the Blazak family.) You will find your people at shows. And you’ll find fashions. And you’ll find great opening bands that you will end up loving more than the headliners.

Fourteen is go time. It’s new car smell. It’s endless discoveries. It’s an entire human history of possibilities. And it’s music that will mean EVERYTHING. Go get it. I’ll be there to give you a ride home.

Love,

Dad

Father Randy’s Top 20 LPs for 2016: Back to Vinyl

December 27, 2016

Near the end of my tenure at Portland State University, the provost instituted her “challenge,” called reTHINK PSU, designed to encourage the growth of the use of technology to expand the university . She invited a speaker to get the faculty onboard the move to online education. He repeated the Nathan Harden line, that in fifty years half the brick and mortar colleges and universities in the country would be history, replaced by websites (probably run by some kid in India). The message was get on the train or get left at the station. He tried to make the point by claiming that CD technology had replaced vinyl records, so get ready for college professors to go the way of the Foghat album.

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Ironically I was listening to this talk sitting in my office in Cramer Hall as it streamed on the university server. If I had been in the room, I would have jumped up to say that CDs sales were tanking, but vinyl was making a massive comeback, growing even faster than downloads and streaming music. Fortune magazine reported in April that vinyl album sales were at a 28-year high. Turns our kids want their Taylor Swift on wax (and their teachers in the goddamn classroom). Sometimes the old way is the best.

I say this because I really fell off my hipness high horse this year. The arrival of the baby in 2014 got me out of the cavalcade of live shows and endless hours in record stores. In 2016, between a rampaging toddler, the effort to return to work, busting Trump’s tiny balls, and finishing my new novel, The Dream Police, I just abdicated my staples for side-lined music aficionadodom. My favorite podcasts,  All Songs Considered, Sound Opinions, and Alt Latino, went un-downloaded. Our local weeklies, Willamette Week and The Portland Mercury, remained in their boxes on NE Alberta Street. An occasional breeze or hip kid would blow in to let me know what was up, but I missed so much. Did you know that Radiohead put out an awesome album in 2016? Of course you did.

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Where I kept things real was on the vinyl front. A large chunk of the new releases I bought this year were on vinyl (including a bootleg vinyl release of Frank Ocean’s long-awaited follow up to the brilliant 2012 release, Orange). I couldn’t stop buying vinyl, at Amoeba Music in LA and Peaches in New Orleans, and a dozen record stores in Portland. Old, new, kids’ records, 45’s, and even Herb Albert and the Tijuana Brass from the 50 cent bin at Everyday Music. Solange just sounded better on vinyl and Bowie had to be experienced deep in the ruts. The ghost is the grooves, not the machine.

Andrea and I took our love of LPs into the sharing economy. Our basement just became an AirBNB called the Alberta Vinyl Den. Each guest lets me know his or her music tastes when they make a booking and I stock the room with a dozen albums from my massive collection. So guests get to feel like they are staying in the record store of their dreams, complete with a turntable and a refrigerator full of beer.

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2016 was a still a great year for music. With the blessing of babysitters we did manage to see some great shows, including some true classics; Patti Smith, Paul McCartney, Brian Wilson, Bruce Springsteen, and the Electric Light Orchestra at the Hollywood Bowl (a double bucket list item). We saw some good world music, like Bomba Estereo and Bombino. We saw a wildly drunken gig by Greasy Alice in New Orleans and caught a show by old friend Chris Robinson that took us down a rabbit hole. I just caught Georgia underground pioneers Pylon at Mississippi Studios. (Last time I saw them was at the Agora Ballroom in 1983.) Earlier in the year we caught a barely attended show there by Sir Paul’s son, James McCartney and got to chat after the gig. Other than the Cuban band we saw every Sunday during our summer on Isla Mujeres, I think my favorite show of 2016 was Father John Misty at Edgefield in the pouring rain surrounded by a thousand other dudes with beards. It was perfectly Portland.

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So here is my Top 20 favorite albums of 2016, recognizing that I’m surely missing a ton I will discover in 2017 or 2027. (Nick Cave’s new one? Someone said it was killer.) I really think we’ll be talking about the Beyoncé and Solange albums 50 years from now.  A serious thanks to the gang at Music Millennium for pointing me in the right direction on some good stuff.

  1. David Bowie – Blackstar
  2. Beyoncé – Lemonade
  3. Y La Bamba – Ojos del Sol
  4. Solange – A Seat at the Table
  5. Drive-By-Truckers – American Band
  6. Miranda Lambert – The Weight of These Wings
  7. Michael Kiwanuka – Love & Hate
  8. Frank Ocean – blond
  9. Rolling Stones – Blue & Lonesome
  10. Bombino – Azel
  11. Patti Smith – Horses: Live at Electric Ladyland Studios
  12. The Beatles – Live at Hollywood Bowl
  13. Bob Dylan – Fallen Angels
  14. Carla Morrison – Amor Supremo
  15. The Bangles – Ladies and Gentlemen…
  16. A Tribe Called Quest  – We got it from Here… Thank You 4 Your Service
  17. Sturgill Simpson – A Sailor’s Guide To Earth
  18. Chris Robley – The Great Make Believe
  19. Ages and Ages – Something to Ruin
  20. Cheap Trick – Bang, Zoom, Crazy… Hello

Here’s to more music on vinyl in 2017. And more professors in classrooms.