“Colorblind” White People and MLK’s “I Have a Dream” Speech

January 16, 2023

I’m not old enough to remember how badly white people hated Martin Luther King, Jr. during his lifetime. How they protested, en masse, his calls for racial integration and an end to Jim Crow. How they called him a communist and a terrorists. How they jailed him and threatened the life of he and his family on a daily basis. I was four years old that day in April when a white person put a bullet in his face on a Memphis hotel balcony. I only learned about that later in my white-authored schoolbooks.

But I am old enough to remember how white people fought tooth and nail to stop Dr. King’s a birthday being made a federal holiday. I was 19 when Ronald Reagan, who spent much of his presidency undoing the civil rights legislation that King fought for, bit his tongue and signed the holiday into law (after 90 white congressmen and 22 white senators voted against it). In my Georgia town, white people began calling the holiday, “Martin Luther Coon Day.”

So I’m leery of how so many white people now embrace Dr. King while ignoring his core messages. As a kid from a southern Klan town, I’m the last person to say that white people’s hearts cannot be changed. I’ve seen the most vicious racists transform into the most dedicated anti-racist activists. And I’ve seen that more than once. But if feels like every MLK Day we get the sanitized version of the black radical who white America despised.

The perfect example is the focus on one passage in King’s 1963 “I Have a Dream” speech that you will hear repeated on Fox News every January.

I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.

Taken out of context this sentence to gets white people off the hook. “Hey, I’ll just judge black people by the content of their character and we can be done with this whole race thing.” This lame assertion denies some very important facts.

  1. Doctor King’s “I Have a Dream” speech, as well as pretty much everything he said, makes the exact opposite case. He was saying we will never get to the colorblind world UNTIL we deal with the engrained problems of structural and cultural racism. “White America must recognize that justice for black people cannot be achieved without radical changes in the structure of our society,” King later wrote. He had a dream of how things could be but we weren’t there in 1963 and we’re still not there in 2023. We have to do the work first. And the work is hard and the push back against the work is mighty. It’s just not from powerful white nationalists like Donald Trump. The pushback is felt in every white person that has ever said, “I’m not a racist, but…”
  2. “I was raised not to see color” is a lie. We live in a white supremacist society that sees white as “good” and “normal” and sees black as “bad” and “other.” We internalize these message throughout our entire lives. All of us internalize white supremacy. Numerous studies have shown that black kindergartners have already learned to value whiteness over blackness. Even if you are not a rabid Klansman, we know these messages about race are baked into your subconscious as implicit bias. Even the most woke-ass liberal notices the black guy standing by their car. Research shows again and again that implicit bias is a factor in why black and brown kids are disciplined more by teachers and why people of color are more likely to be shot by police. So when a white person says they are “colorblind,” they might think they are but they most definitely are not. We are trained to see color from the get-go.
  3. Black and brown people do not have the privilege of being colorblind. Seeing color is a matter of survival. If I’m an African-American man and I walk into a bank full of white people, I may have to adjust my behavior, appearance, and demeanor so the white people a) don’t think I’m there to rob the place, and b) maybe give me the same service that white people get. I had a black student who always wore a suit and tie to class everyday and when I commented on his dapper style he said, “I just got tired of everyone assuming I was here on an athletic scholarship.”
  4. The content of one’s character is most certainly shaped one’s environment and upbringing. If I’m facing the daily sledgehammer of racism and oppression, that’s gonna play a role in my character. Dr. Joy DeGruy, author of the seminal text, Post Traumatic Slave Syndrome, refers to the “ever present anger” black people experience because of the constant othering. If you are going to judge someone by their character, you better understand the forces that helped create it.

In Martin King’s famous “I Have Dream” speech, in a section rarely quoted by contemporary white people, he says:

There are those who are asking the devotees of civil rights, “When will you be satisfied?” We can never be satisfied as long as the Negro is the victim of the unspeakable horrors of police brutality.

Last year there were over a thousand people killed by the police. African-Americans, who make up roughly 12 percent of the population represented 27 percent of those who were killed. George Floyd and every black police victim that has followed speak to the unspeakable horrors that persist. So why should those clamoring for basic human rights be satisfied?

Simplified history-telling has often portrayed white people as facing a perilous question sixty years ago; Either go with the kinder assimilationist rhetoric of Reverend King or face the revolutionary rage of Minister Malcolm X. King or X was a false choice. Underlying MLK’s rainbow vision was a fairly radical call for a power shift in America. The “I Have a Dream” line, “the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood,” was as much about the tables in the backrooms of congress and corporations as it was the tables in diners. Toward the end of his life, King’s message was much more explicitly class-based and anti-war (which must’ve made J.Edgar Hoover’s blood boil).

The white cherry-picking of MLK sentences from long, complex speeches and essays and the casting him as a “good negro” (in contrast to all the “bad” ones) erases the core message of King’s life. Yeah, there as been a little progress, but we ain’t there yet. We still have to explain to white people why black lives matter, because the facts on the table show they still don’t. Until there is fundamental structural change and black people, and other marginalized folks, have the EXACT same access to economic, political, and cultural power, we can dream about it, but we ain’t there yet.

So share the dream. It’s a good one. But action is required. That’s what Martin asked of us.

Talking to Your Kid About Black History Month: First Grade Edition

February 18, 2021

I have a thing about Black History Month. I really get into it but I wish it was on a longer, warmer month. June seems logical. My students are reading The Autobiography of Malcolm X right now. I try to make sure black authors are in front of their eyes each winter. There’s just a binge on learning cool stuff. Did you know that the ice cream scoop was invented by an African-American named Alfred L. Cralle? No scooped ice cream for racists!

My love of the black history binge might have had something to do with a white supremacist moment I had in 1979. In my tenth grade journalism class had an assignment to write an editorial. The title of this editorial, written by a white kid in a historic Klan town was… ready…?, “If They Have Black History Month, Why Don’t We Have White History Month?” That’s how my 15-year-old brain was processing the state of race in ’79. My teacher’s response was, “That’s a very strong opinion, Randy.” It should have been, “Every month is ‘White History Month,’ you racist twerp.” So maybe my affinity for Black History Month is a penance for that sin, or the many others.

This year’s Black History Month is a bit more meaningful, in wake of the massive BLM protests last year. But also because my daughter, Cozette, is ready to dive in herself. I was where she is, first grade, in February, 1970, which was the very first Black History Month. The closest I got to knowing that I should think about race at 6 was staring at a “Black is Beautiful” poster in a shop on an a family trip to Niagara Falls. The women in the poster was topless, with a massive afro and a clenched fist. I was transfixed. Cozy is more familiar with images of Breonna Taylor that are painted on murals in our city.

Unlike me, Cozy is growing up in a house with plenty of black heroes. MLK is on the fridge and Motown Magic is her go-to cartoon. (I did have Fat Albert but I don’t know if that undid any racial stereotypes in the 1970s. I’m looking at you, Mushmouth.) But even better, Cozy’s teacher has her first grade class on a healthy diet of Black History Month stories. She’s started her winter school days with lessons about MLK, Malcolm X, Ruby Bridges, Harriet Tubman, and Louis Armstrong, among others. 

Her school is sponsoring a Black History Month art show, in which students complete portraits of African Americans that have inspired them. Cozy’s already done portraits of George Floyd and Breonna Taylor, so she chose Louis Armstrong, someone who gets a lot of play in this house. (Fun fact: Cozy’s grandma met Mr. Armstrong after winning a saxophone contest when she was 16. In awe, her main memory was that he swore like a sailor.) At 6, Cozy pretty much captured the greatness of Satchmo. She’s a true jazzbo. As much as she loves Louis’ “wrinkly” voice, she prefers Miles.

Having a teacher who explains why Black History Month matters has been a wonderful thing. How do you explain to a six-year-old the horrors of slavery? “People owned other people just because of the color of their skin.” When I asked her what slavery meant, she grew silent and talked about her black friends and how it made her sad. Kids her age are quite aware of race, especially if they are not white. Cozy’s Mexican genes are talking to her European genes, while across the street from her African-American friends and in a house where her parents are always talking about racism. It must be a lot for her brain.

To help her out, I bought her a copy of The ABC’s of Black History by Rio Cortez, brilliantly illustrated by Lauren Semmer. D is for diaspora. She fell in love with the vibrancy of it, especially the entry on George Washington Carver (she loves peanut butter) and the “M is March” section, featuring BLM posters, like the ones she made last summer. In addition, PBS has made a point of centering black history in its children’s programming. She’s been glued to a cartoon called Xavier Riddle and the Secret Museum, learning about Rosa Parks, Frederick Douglas, Zora Neal Hurston, and Ella Fitzgerald. (The 1956 Ella and Louis album is now on repeat play, which is a very good thing, and Cozy has taken up scatting.)

At 6, I think Black History Month is about celebrating how African-Americans have made life so much better in America. She has an understanding of the pain caused by racism, but it’s not time yet to wade into the torture, trauma, suffering, exclusion, and dehumanization the begs us to make black lives matter every month. I can see her processing it through her peers. Generation Z kids not only have more diverse friend-groups than their elders, they themselves are more diverse. Where “mulatto” was a pejorative a hundred years ago, bi-racial+ is just the norm now. But these kids still live in world that pushes a white supremacist worldview. Despite Motown Magic, the majority of the cartoon, book, and TV characters she sees are white. And male. So while it’s certainly too soon to sit her in front of the TV for a screening of 12 Years a Slave or 13th, she can definitely start picking up on the whole unfairness of racism story and that people who look like her father benefit from it and that people who look like her friend Jaden are challenged because of it.

It’s a tricky path. What I knew about race at 6 came from horribly racist norms. People who lived in the city (i.e. black people) were savages compared to those of us (white people) outside of the city. The urban jungle was framed in contrast to “civilized” society. Cozy lives in the city with plenty of black friends, so that hateful dichotomy is gone, but the complexity of racism remains. It seems like the “primary school” agenda is simply that black culture is amazing and that our black friends have faced unfair struggles that we are committed to fixing.

I’m supposed to be an expert on this topic, but when it’s your kid, it’s a real challenge. You really want them to value everyone as fully humanized but also recognize the forces that have stood in the way of that simple truth. It’s harder than I thought. But she’s smart. I think she’s getting it, complete with the soundtrack. Thank you to all the great teachers who make February matter.

Your biography is history: Taking in the Trump impeachment

October 3, 2019

When I was a teenager in the late-1970s, I wished I had been a teenager in the 1960s, so I could have swum in the countercultural revolution. Of course, I was already in history. It was called the punk rock rebellion, and there are a million kids now who wished they could have been in my shoes, buying Ramones albums (on vinyl!) as they came out. I was just too close to it to see it as a moment in history. It was just my life.

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The great sociologist C. Wright Mills argued that for people to start to understand how society works they have to understand their own biographies as history. When we read a biography, we see it as a reflection of the history that was unfolding around that person’s life, whether it’s the biography of George Washington or Judy Garland. My students are reading The Autobiography of Malcolm X this quarter and you can’t view the life of Malcolm Little/Malcolm X/Malik Shabazz outside of the context of the racially oppressive twentieth century. His biography is the history of hi century.

And so is yours. The goal of any individual should be to create a biography that both reflects the times and impacts the times. Live in the moment and shape the moment. You are living history. Most fascinating of all histories is the present.

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This couldn’t be any truer than right now. This era will be analyzed for centuries. People are still debating whether or not the French Revolution worked. That won’t hold a candle to the late night conversations students, history buffs, and robots will have about the spectacular rise and fall of Donald J. Trump. We are in perhaps the most significant turning point in U.S. history since the test of World War II. This generation may be witnessing the end of the American Century or the birth of a global youth revolution to save the Earth, sparked by a Swedish kid with Aspergers who demonstrates more class and intelligence than our president does on his very best day (which, I know, isn’t saying much).

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I cut my political teeth on the Watergate hearings in 1973. I was 9-years-old and watched it with rapt attention. When Nixon named Gerald Ford as his vice-president in 1974, I knew there was a quid pro quo that would lead to Ford’s pardon of Tricky Dick. My first trip to the White House was while Nixon was deciding to bug out instead of enduring impeachment proceedings. I probably could have stolen the china and they would have assumed Pat Nixon was looting the place before their shameful exodus.

It felt like history was happening and it feels that way again. The impeachment of Bill Clinton felt more like politics as usual. Bill’s shenanigan’s definitely sparked a national conversation about what constitutes “sex.” (To future generations, blow jobs are, in fact, sexual relations.) It all unfolded during my disastrous first marriage and I don’t doubt that couples across the country were having uncomfortable conversations about the nature of infidelity thanks to the Oval Office antics of Slick Willy. But it didn’t seem monumental, just sad. This feels monumental.

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History is always happening and always has a soundtrack. Yeah, the upheaval of 1968 had the Beatles’ “Revolution” and the Rolling Stones’ “Street Fighting Man,” but you better believe the “look backs” 20 years from now will have Billie Eilish and Lizzo playing along. (“Why men great ’til they gotta be great? Don’t text me, tell it straight to my face.”) This moment in history is framed by news apps, bipartisan divides, and generational warfare. The old white men would rather die guns blazing and burn the house down on their way out than see young women (especially young women of color) even the playing field. Sorry Mitch McConnell, the future of America looks more and more like Alexandria Ocasio-Cortez every day. We’re no longer being handed history by Walter Cronkite on the CBS Evening News, we’re finding it on our phones and Twitter feeds. And we’re sharing the news that the Orange Emperor has no clothes. (Cannot unsee!)

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There’s a great 2011 Woody Allen film called Midnight in Paris all about how we over-romanticize the past. It was always better in some previous era. I’ve often thought about how great it would be to live in the Bohemia of 1840’s Paris or 1950’s San Francisco. No doubt the food would suck in both and no wi-fi to boot. The same is true for the Make America Great Again suckers who think the country was better off back in the days of Jim Crow. (Also no wifi.) This is the moment to be in. This crisis. This opportunity for transformation.

I’m committed to taking all this in, every presidential tweet storm, every unhinged Rudy Giuliani interview, every cabinet member indictment, every smirking Stephen Colbert monologue. Future generations will ask us what it was like to witness the compete collapse of America’s mad king. I’ll tell them I LMAO. They’ll have no idea what I’m talking about.

In Defense of the Classroom

January 12, 2018

The first time I ever taught a college-level class was as a graduate student at Atlanta’s Emory University in White Hall, probably the fall 1986. I was the teaching assistant of renown criminologist Robert Agnew. He was out of town at a conference and left it to his 22-year-old TA to give a lecture on some crime theories that were to be covered that day. I spent a week preparing, including jokes and pop culture references I thought the undergrads would appreciate. When it was time to shine, I just froze. Like Cindy Brady on that game show, I was frozen, nailed to podium. My main memory was the realization that I can see my own cheeks. So much for the dazzling young professor.

It wasn’t long before I got my 10,000 hours of teaching in. As a grad student, I was teaching at private Emory, urban community colleges, and rural universities up in North Georgia. All my peers were musicians and I had found my own performance platform. Give me a topic and I was ready to rock it. I had found what I was good at.

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My inspiration for my whole approach can be blamed on the British film, To Sir With Love. The 1967 classic stars Sidney Poitier as Mark Thackeray, an American teacher thrown in with a bunch of working class “unteachable” students. It’s the racial opposite of all the American white savior pics, like Dangerous Minds, where a rebellious white teacher shows all the minority kids why they should value education. Thackeray is black and his students are white and he soon realizes a traditional curriculum isn’t gonna a work with these hoodlums so he throws their school books in the trashcan and takes them out museums and shit for some real-world lessons. Cue greatest theme song ever.

I had a similar moment at Emory when I realized that not only were my bourgeois students not doing the readings, they weren’t really taking my class seriously. Channeling Sidney (who shares my birthday), I threw all the books out of the classroom window in the Candler Library. I cancelled all the quizzes and exams and told them that now the only requirement was that they come to class and participate. They were always bugging me, on nice days, to have class outside on the grassy Emory quad. I told them we would now have every class outside, no matter what the weather.

That little tantrum paid off because that was the most engaged I had ever seen students on that campus. They read, discussed, and did a lot of the work for me. There were days when it was a brutal Georgia thunderstorm and we’d be sitting in the grass, soaking wet, discussing semiotics and doing class analysis of subcultural phenomenon. People must have thought we were crazy but I still hear from those students.

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There are two general ways of thinking about teaching at the university level, what we call pedagogy. One is the “sage on the stage” who stands up there and shares his or her knowledge with the lucky students. The other is the “guide on the side” who facilitates the learning process, building on the student already accumulated knowledge. As I began to fashion myself as a feminist educator, the guide on the side made much more sense. I could assign a book, like The Beauty Myth, but, the real learning came from the testimony from female students. Similarly, I would tackle race by assigning a classic like The Autobiography of Malcolm X, but the students of color would have the real authority on the topic. I just sit there with my coffee taking it in.

My teaching style over the years has been a bit more like a grand performance art piece. Once, on the first day of my Youth Subcultures class at Portland State University, I walked in the classroom and asked to the students to follow me. Like the Pied Piper, I led them outside to Southwest Broadway, the main boulevard that runs through campus. I asked the students to lie down in the street. They did, stopping the busy traffic across three lanes. It looked like a protest but I was trying to make the point about the street as a multi-facet metaphor for youth in America. We were literally on the street. That one got back to the dean.

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I’ve been mourning my exit from PSU and sad that my program at the University of Oregon was defunded, throwing a lot of committed teachers out of work in favor of some “on line learning” alternative. There is nothing that matches the magic that happens in the classroom. So I couldn’t be more exited to finally be back in the classroom teaching sociology. I started my adjunct position at Portland Community College on Wednesday with a discussion of how the sociological imagination liberates us from the boxes that we have been shoved into. Like getting back on a bike, I was right back in the zone. This stuff matters.

In a time when universities are shedding tenure track faculty in favor of websites, the vitality of the classroom is the last fortress of our shared Enlightenment values. Online education is a hoax. Research demonstrates that online students retain less information. (There are some effective online classes and, for some students, it is their only access to higher education.) The student who is registered for the class may not be the one who is actually taking it and the professor who is listed as the instructor may not be the one who is actually teaching it. It’s a money making fraud. So back I’m there in the classroom. I don’t need a Powerpoint slideshow or any fancy technology. I just need students who are ready for an adventure. I’m back, let’s go.

Look out, I’m about to use the “N” word. Appropriately???

December 15, 2017

So much of this year has been about checking myself instead of wrecking myself. Maybe 90% checkin’ Donald Trump, 10% checkin’ myself. Is my implicit bias in play? Am I playing my male privilege card? Am I making heteronormative assumptions? Is my allyship performative? Am I expressing internalized racism? It can drive a nigga crazy.

Much of the work in 2017 has been confronting the rise in “polite racism” in the mainstream, from the “white nationalist” bullying by the alt right to the plantation talk of our more orange-than-whte president. But some of it has been done in the mirror. I’ve been thinking a lot about the use of the “N word,” not by Trump supporters or racist skinheads or rappers, but by me. I don’t ever us it as a pejorative. I was called “nigger lover” often enough as a white kid in Georgia who refused to board the cracker train to know when that word is used to hurt. But just the fact that I could use it in that sentence I just wrote, points to the shield of my white privilege.

There’s also a lot of talk this year about “triggers.” I’ve discussed it with regard to rape culture. A rape victim is not going to watch Saturday Night Fever (or Game of Thrones) the same way a non-rape victim will. We are better now at understanding the reality of collective trauma holding people back in their footsteps. Assholes call people who care about such things “snowflakes.” Decent people understand that being aware of triggers is practicing empathy. Well, I’ve been a bit slack with the n****r trigger. My white privilege says it’s not my problem. It’s just a man-made word.

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Because I’m an academic who studies racism and, specifically, white supremacism, I assume people know my anti-racist agenda and that that somehow permits me to use racist language when I am “making a point.” I remember one time in a criminology class I was teaching at Portland State when I was going off on how horribly sexist and misogynistic it was that the term “pimp” was being exalted in pop culture. This was somewhere between the time of Jay-Z’s “Big Pimpin’” and “Pimping” your MySpace page. I was trying to make the point that the sexual exploitation of women by pimps was not that different than the dynamic of slavery. So I said, “Pimps have their ho’s, just like slave masters have their niggers.” Yep.

Two young African-American male students looked at me like I just pushed a TNT plunger. Now, aside from the fact that there is a world of sociological difference between a poor black street hustler and a wealthy slave-holding plantation owner, I thought I had carte blanch to use that word, because I’m, you know, down. In my Intro Class at Emory I’d make students mix tapes with The Last Poets’ “Niggers are Scared of Revolution” or would bust into random lyrics from NWA’s “Fuck the Police.” “A young nigga on a warpath, and when I’m finished it’s gonna be a blood bath.” Because I was making a point. About racism! John Lennon and Patti Smith recorded songs in the 1970s using that word, why couldn’t I use it too? (Answer: They were established artists making powerful statements to large audiences. I was a grad student.)

The thing is, I have never heard that word the way my black students heard it. And they were hearing it from the mouth of a white man. It’s gonna sound different. It’s gonna carry more historical and cultural weight. It’s gonna hit harder. Somebody on Facebook can call me an idiot and whatever. If my father calls me an idiot, it’s gonna be a gut punch. Context matters, even if you are a dope-ass woke white brotha. You don’t get a pass. Even if you went undercover to study racist hate groups, you don’t get a pass. Even if you voted for Obama (Twice!), you don’t get a pass.

I would justify it by saying these obviously smart black students understood the role of context, the point I was trying to make. I make a similar case about the “F word.” If I say, “F word,” nobody is thinking, “Gee, which F word does he mean? Fellatio? Feminism? Furby?” No, it’s fuck. So if I say, “the N word,” the word “nigger” is magically placed inside people’s heads, so why not (in the proper context) just say it? The reason is that is sounds differently in one’s head when it came out a white man’s mouth first.

 

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I always loved the bit from comedian Lenny Bruce from the early 1960s about the “N word.” It was recreated brilliantly by Dustin Hoffman in the 1974 movie Lenny. Bruce just starts using the word in front of a live audience at a comedy show. Then he starts adding other racial slurs, kike, mick, wop. His point is that it’s the suppression of the word that gives it the power to hurt and maybe we should take those words away from the racists.(Paging Dr. Foucault.) Comedian Richard Pryor did that as well. When I was a kid in Stone Mountain, we’d secretly listen to his comedy albums, including That Nigger’s Crazy and Bicentennial Nigger. The difference was Pryor was black, Bruce was not. Then, in 1979, Pryor went to Kenya and wrote, “There are no niggers here. … The people here, they still have their self-respect, their pride.” And he vowed never to say the “N word” again.

A lot of white people wonder why black people can use the word when they can’t. They want to rap along to the same Kendrick Lamar songs but they might have to censor themselves if in mixed company. “I’m the realest uh huh after all. Bitch, be humble.” Again, context matters and it’s complicated. Part of if is black people reclaiming the word from racists and getting a slice of privilege because whites can’t say it. Lenny Bruce was right. You can reduce it’s power to hurt, but you can’t remove it. The other thing is that things are different inside the family. I used to call my little brother names all the time, but if you called him names, oh, we were going to have a problem. Whether it’s “nigger” or “nigga” (Tupac turned it into an acronym for Never Ignorant About Getting Goals Accomplished), context matters. Whose mouth it is coming out of matters. Intent matters.

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When I was in grad school, I read the the late great Dick Gregory’s 1964 autobiography, Nigger. It’s about the struggle to overcome the worst Jim Crow America had to offer. In it he writes, “Those of us who weren’t destroyed got stronger, got calluses on our souls. And now we’re ready to change a system, a system where a white man can destroy a black man with a single word. Nigger.” I began assigning another autobiography to my students soon after that, Malcolm X’s. One of the most powerful lines in that 1965 book was when Malcolm asks a black audience, “Do you know what they call a negro scholar? Ph.D.? Professor? They call him a nigger.” This is not just a slur. You can’t even compare it to “kike” or “wetback” (also assaultive words). It’s a word with centuries of brutal oppression woven into its six letters. You just don’t throw a word like that around.

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In 1990, my roommate and I went to go see Public Enemy perform in Atlanta. (Opening acts: Heavy D & the Boyz and MC Hammer). Two white guys at the Omni Colosseum in a sea of black hip hop fans. We heard, “Hey crackers!” a few times. My first thought was, This what it must be like for a black guy to be at a Garth Brooks concert. But then I realized those two words are in no way equivalent. One word was sort of classist, and the other had centuries of genocidal violence and institutional disenfranchisement behind it. There were no black nightriders burning down the homes of cracker families to discourage then from getting too uppity.

I’m teaching two sections of Intro Sociology at Portland Community College this winter and I’m assigning The Autobiography of Malcolm X. I thought that, in the wake of Black Lives Matters and Trump’s racist plantation rhetoric, it was time to return to its vitally wise pages. But I won’t be using the “N word” to make any points. People of color are experiencing enough collective trauma right now in Trump’s America, enough deja vu, with out me adding one more pin prick to the daily tally of micro aggressions and macro assaults. They’re not snowflakes, but enduring humans. My apology for using that word, even in “context,” doesn’t make up for the cumulative impact of the result. I’ll quote a white guy who once said, “Cause you know sometimes words have two meanings.” I know there are some white people who are just so sad they can’t say it. It’s complicated. If you can’t figure it out, best leave it alone. Just don’t say it. Now about that “B word.”

NOTE: I’ve already gotten shit from well-meaning white people for using the “N word” in this post. I’m gonna guess that 100% of African-Americans reading this will get the point. White radicals, I’m shooting for a 65% comprehension rate.

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Donald Trump as the Slave Master of the Black Athlete Plantation

September 29, 2017

Sports can reveal so much about where we are in American racial progress: Jackie Robinson, the Mexico City Olympics, Derek Jeter dating white women. White sports fans have made themselves the referees for what black athletes are allowed to do to move the racial equity ball down the field. And they’ll be more than happy to shut down a spectacular rush. And that’s the end of my sports metaphors.

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Enough has been said about Trump’s weird obsession with “ungrateful” NBA players and “ungrateful” NFL players. Except for white people who are in deep denial, anyone that has followed Donald Trump from his Central Park 5 ad, through his relentless Obama birtherism, to his comments about the “fine people” in Charlottesville, knows the man is a racist. He’s the modern kind of racist who says, “I’m the least racist person on earth. I have black friends!”

The way to frame the “I’m not a racist, but…” racism that is flowing down from the White House and across the Facebook feeds of white America is to think historically. They want to make America great again. And for “again,” let’s choose 1857. This was a time when one in four white families in Virginia owned African slaves. And, like the NFL, the best team owners made the most money. There were over a hundred planation owners who owned over a hundred slaves each. The slave labor on those plantations generated millions of dollars in revenue for the white elites, and it wasn’t just cotton sales.

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First, let’s get this out of the way. The NFL kneeling protests have nothing to do with the flag or the anthem. They are about the persistent problem of racism in America, especially with regard to policing. Trump and his army of racist overseer trolls can try to spin it anyway they want, but it’s about racism. (Trump lamented that white NASCAR drivers don’t bother us with this nonsense.)  They can act all butt-hurt about how much the flag means to them, but it’s not about the flag. It’s a common racist trick to make any unwanted racial protest an “attack on America.” Martin Luther King, Jr. and the civil rights activists of the 1960s were routinely called “communists” who wanted to “destroy” America. Trump’s pathetic attempt to make this about the flag only reinforces the fact that this is about racism. “It’s not what the black people say it is. It’s what I say it is.” And I could spend thousands of words talking about how we disrespect the flag on a daily basis. Ever seen a Kid Rock concert?

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President Trump has fashioned himself as the ultimate plantation owner and these negroes better get back to work. He (and white America) owns them.  Black players are chattel. Trump’s Treasury Secretary,  Steven Mnuchin, made that clear on ABC’s This Week when he said, “They have the right to have the first amendment off the field.” As if the Constitution is suspended when the beasts are on the field. I guess these black bucks should be “grateful” that Trump is giving them their first amendment right when they aren’t picking cotton.

Obviously, racist whites don’t like any type of black protest about the persistence of racism, whether it’s a football player peacefully kneeling during our national anthem, written by a slaveowner, or Black Lives Matter protestors peacefully marching down a street. Racist whites didn’t like it in the early 1950s, when Trump said America was “great,” and they surely don’t like it now, after a black president. Racism has been solved and these blacks are just being ungrateful, right? They should be grateful “we” freed them, right? (Does “we” include the white guys waving Confederate flags? Post-racial America is so confusing.)

I spent some time on sports discussion boards this week, trying to get the pulse of the hard core sports fans. There was a lot of anger at Trump for inserting his weird version of patriotism into a multi-racial game, loved by many demographics. (Ask some of my Mexican family members about the role the Dallas Cowboys plays in their lives.) Many even recognized that when Trump referred to the protesting black players as “sons of bitches” to a roaring crowd of white supporters in Alabama, he grabbed a third rail. The mothers of football players are beloved, much more than ratings-obsessed politicians. There were obviously a lot of racists posts that moderators were working overtime to delete. However, plenty of “I’m not a racist, but…” posts slipped through.

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A trip through Twitter was more revealing. Not that these knuckleheads are actually going to do it, but a survey of #NFLBoycott posts was pretty harsh. Plenty of discussions of “ungrateful niggers.” And how much “we” pay them to entertain, not annoy, us. One white Facebook friend said she almost walked out a restaurant because they had an NFL game on. Of course she didn’t and if she did it would have had zero effect on the NFL or the need to solve America’s racial issues. But the blatant racism on Twitter has certainly been given a green light by Trump and his call to have these ungrateful negroes fired from their jobs.

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The term “ungrateful” is key in this issue. White men earn their income. Eli Manning earns his $21 million dollar salary. Black men are given their income. They should be grateful for their millions. I don’t have millions. Who are they to complain? (The average player in the NFL makes $1.9 million, so there are a majority of players who are not getting payed millions to cover Matthew Stafford’s $27 million dollar salary. If fact take a look at the 15 top paid players in the NFL. Thirteen are white guys,)

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Another friend on Facebook, who was angry about these “ungrateful athletes” said, “But we pay them millions!” (Something one of the indigent white hosts of Fox & Friends also claimed.) I asked, “Who is ‘we’?” Nothing. But the message was clear. White people pay them and the team owners own them. The don’t own Ton Brady, but they own Philadelphia Eagles safety Malcolm Jenkins, and any other black player raising a fist or taking a knee when they should be picking cotton and swearing allegiance to the the slave owner’s anthem.

In my nearly thirty years of research on white supremacists, one of the recurring themes is the anger directed towards African-Americans who made more money than them. In my original study of skinheads in Orlando, Florida, racists were completely obsessed with the fictional middle-class Huxtable family on The Cosby Show. Their parents had been laid off from a Florida textile mill, but every Thursday night there was this black family on TV that had everything they thought they deserved. “What’s wrong with this picture?” I remember one saying in 1988. During that study, the movie Mississippi Burning was released. There’s a powerful scene in it which Gene Hackman’s character is trying to explain the racist white mentality to Willem Dafoe’s character. It perfectly summed up the skinheads I was living with and many of the NFL fans burning Colin Kaepernick jerseys (who, apparently, has not punished enough).

Donald Trump clearly has a number of personal issues wrapped up in this circus act, including his legacy of driving the USFL, a football league meant to rival the NFL, into the ground. His Twitter barrages rile up his under-educated white base while distracting the country from his numerous legislative failures. Perhaps there’s also some admiration for Rocket Man Kim Jong Il. Nobody takes a knee during the national anthem in North Korea. Trump doesn’t have his dictatorship (yet), but if he can get enough of his knuckle-dragging followers to demand that these ungrateful savages be fired from jobs they’ve worked their entire lives to have, he can call it a win.
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Ratings for all sportscasts have been on the decline for the last few years. It’s because young people would rather watch YouTube videos instead of sports, not because a handful of athletes want to make a peaceful statement about the race problem in America. Watching these idiots burn their sports crap in protest reminds me of the same idiots who burned their Beatles albums 51 years ago because someone told them the Beatles believed they were better than Jesus. (John Lennon had just tried to make a valid point about the declining role of religion in young people’s lives, but DJ’s in Southern U.S. states and the KKK didn’t care about context.)

Racism is real and continues to traumatize Americans on a daily basis. A black millionaire football player is still a black man in America. Malcolm X once said, “You know what a white man calls a black man with a PhD? A nigger.” And here we still are. Those who are peacefully protesting racism by kneeling are honoring the flag and the men and women who died for the right that gives them the freedom to do it. They are the patriots, not Trump and his racist cult.

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