Psychoanalyzing the Attraction to Chaos, or Why I Want to Go to Ukraine

March 13, 2022

I was born at the right time for punk rock. Fourteen-years-old in 1978, my teenage angst was perfectly positioned to hear the music of the Ramones and the Sex Pistols as a telegraph to my soul. The explosive anarchy was what I needed. I remember desperately wanting to go to the January 5, 1978 Sex Pistols show in Atlanta, but you had to be 18 to get in. Didn’t they know this was “my” music? My introduction to slam dancing gave me a direct route into the chaos. I was slamming at a Lords of the New Church show in London in 1982 and had my arm pulled out of the socket. Another punk, who was also an EMT, grabbed my arm and shoved it back into the socket and we kept moshing. Punk was life.

When Russian troops began their “training” on the eastern Ukrainian border last month, I got the impulse to be there, in the action. It’s not a new impulse. When I was 20, I went to Belfast, Northern Ireland and ended up (purposely) in a riot, where a kid my age was shot in the face by British soldiers. The experience became my senior honor’s thesis at Emory University. At 29, while I was in Eastern Europe working on my dissertation on right-wing extremism, I tried to get to Sarajevo during the siege of the city and couldn’t get past the Yugoslavian border. It was framed as “research,” but there was something the compelled me to be in a place that most people just wanted to escape from. During the summer of 2020, I couldn’t get enough of manning the BLM barricades in Portland, dodging rubber bullets and coming home smelling like tear gas. The chaos and flash bangs were intoxicating.

And now with a European trip less than a week away, I’m debating heading in.

I’m not exactly a wannabe mercenary who is obsessed with war and violence. A lot of the young men I study certainly are. In the timeless words of Michael Jackson, “I’m a lover not a fighter.” Do these conflicts ignite some toxic masculinity inside me? In the 2000’s, I received weapons training from the FBI as part of their Citizen Academy, and now I’m wondering if I remember how to unlock the safety on an MP5 machine gun. Who am I? I mean, it’s entirely possible that you will see me on Instagram two weeks from now, posing with my AK-74 (standard issue with the Ukrainian ground forces).

I discussed this need to dive into the geo-political mosh pit with my therapist. She had a valuable insight that it might be linked to the abuse I experienced as a child. That chaos became a normal state and my desire to fight it became deeply engrained. Putin is the molesting neighbor and I want to go save the children of Ukraine from him. I experienced pain then so I can experience pain now, acting out some masochistic savior complex. Hey, makes as much sense as anything else. I wouldn’t be surprised if the victims of childhood abuse are over-represented in the ranks of the law enforcement and military.

In front of this is my desire to help. I’m watching Russian tanks fire into civilian apartment buildings in Mariupol and I just want to leap through the TV. The kids streaming out of the country look so much like my daughter. I’m slavic and was born in a Cleveland suburb that was heavily Ukrainian (Parma). If I can just go to the border and serve meals with World Central Kitchen, that would be a lot. These people just seem stunned. The fact that Russia is now attacking close to the Polish border means there’s even more help needed with the refugees. I imagined rockets slamming into my neighborhood today and wondered if anyone would come to help us. How can I not go?

I felt so deflated last week I went to donate blood, even though I know that my blood is not going to Ukraine, or Syria, or Congo, or any of the other of Earth’s bloodbaths. But I have the privilege to travel and the freedom of “spring break,” as well as the ability to work remotely. Why not go? Flights from Paris to Warsaw are down to $94 and I have a new credit card. Can I go just help refugee families in Poland and resist the temptation to throw Molotov cocktails at Russian armored vehicles?

The plan now to fly to Paris on Saturday and then catch a flight to Warsaw, where I have one last Zoom class to teach. After grades are turned in, I’ll catch a train down to Przemysl to find opportunities to help with the flow of refugees. Even if it’s just giving hugs to traumatized kids who look like mine, I will feel that I’ve added to the healing in some small way. I’ve been shopping for both combat boots and children’s books to take with me. The only question is whether or not my childhood trauma will pull me across the border.  For the sake of my own child, I will probably stay on the safe side of that line. Or maybe I could do this work from a sunny French café. Stay tuned.

We can all do something. I really want to encourage people to donate to UNICEF’s Ukraine relief. It’s for the kids! https://www.unicefusa.org

2028: A Letter to My 14-year-old Daughter at the Half-way Mark

September 27, 2021

Our daughter, Cozette turned seven last month and she’s way ahead of where I was in terms of coolness. When I was a new second grader at Highland Christian Academy, I didn’t even know the #1 single for that week (“Maggie May”), but I did know the Frito Bandito song. Cozy can riff on some Dua Lipa cuts and has a vast knowledge of classic rock lyrics. (She has a soft spot for Lindsey Buckingham’s Fleetwood Mac songs.) Cozy is well-versed, from Coltrane to Storm Large.

It just dawned on me that, at 7, she is halfway to 14, which was a big year for me and my musical coming out, so I thought I should write her a letter now and tuck it away on this blog until 2028.

Dear Cozy,

Happy 14th birthday! Every day with you has been a thrill and it’s so exciting to see you ready to rock 9th grade. You have turned into the most joyful, complex, and kind young woman I know. And even though your mom and I have had some influence, who you are comes from some wonderful spark that exists deep inside you. I thought I’d use this moment to tell you a little bit about what I was like when I was 14 and make a birthday promise to you.

I turned 14 fifty years ago in 1978. It was a great year of self-discovery and what I like to think of as my “musical coming out” year. You know what a role music has played in my life, starting with my pre-school raiding of my parents jazz records and endless hours listening to your grandmother playing Scott Joplin rags on the baby grand piano in our living room. But 1978 was different. It was the year your grandparents started letting their oldest son go to concerts without adults!

I already had caught the concert bug the year before. (Ask me someday what it was like to see Kiss in concert in 1977). For some reason, once I turned 14, my folks trusted me enough to let me go to concerts with my friends. And we went to every big show that came through Atlanta, from Blondie (at the Fox Theater) to Black Sabbath (at the Omni). In fact, if you listen to the 1978 live Blue Oyster Cult album, Some Enchanted Evening, (recorded at the Fox Theater) you can hear Charlie, Richie, and I screaming our lungs out.

You know how exciting live music is. Officially, your first concert was U2 in Vancouver, BC on May 15, 2015. For the record, you were 9 months old and The Edge fell off the stage. We’ve been to countless shows together since then. You know about the anticipation swelling as the main act is about to take the stage. You know about singing along with the actual people on the recording. You know about your ears ringing when it’s all over.

When I was 14, the other element at concerts was drugs. A lot of drugs. And everything else. I remember a guy drinking straight Jack Daniels before a Who concert, and telling everyone it was his life’s dream to see The Who in concert. By the time The Who took the stage, he was passed out drunk. Missed the entire show. I’m sure he told all his friends how brilliant the concert was. Those concerts were too important for me to miss a thing. I was clear-eyed sober, focused on every element of the experience, every guitar solo, every screaming fan pressed against the stage. And I remember them all 50 years later. Just a suggestion about the value of a clear head. You’ll want to remember this stuff.

Concerts were where I found my tribe. Other music fanatics and the various subtribes. By 15, I was firmly in the mod/punk/new wave tribe and going to Ramones shows. But at 14, it was all brand new. I people watched as much as band watched.

So you are at a magical spot right now. Given life expectancies in 2028, you’ve got another 70+ years of life ahead of you. That means you’ve got 14 years behind you, much of which you don’t remember because you were little, and 70 years ahead of you. The future is wide open. Most of my life is behind me, which is why I bore you with stories of the distant past. But for you there is this incredible newness and potential wrapped up in every experience. I would give anything to hear music that way I did in 1978. For my 14th birthday, I got the debut album of a band called Van Halen and you would have thought the Rapture had unfolded on Earth. That album was like a lightning bolt from God. (Our poor neighbors in Stone Mountain who had to tolerate me playing “You Really Got Me,” at full volume over and over again.) I can listen to that record now and it sounds nothing like it did when I was 14. Now, it’s just a classic rock classic. Then, it was EVERYTHING.

I know kids always get tired of us old folks saying, “Youth is wasted on the wrong people,” or “enjoy your youth.” But we’re speaking from a place of regret. I wish I would have known about the magic of 14 when I was 14. I just wanted to be 18, or 25, or 30. (Definitely not 64.) I’m begging you to take it all in. Close your eyes and turn the volume up all the way. Take a minute to feel how the sound lands on your body and what it connects you to in this moment in history. For me, it gave me the dream of escape; to the lower east side of Manhattan, to Liverpool, to London, or to wherever Styx wanted me to sail away to.

That’s my request. Listen and connect your music to your space and time and maybe your own tribe. My promise is, now that you’re 14, you can go to concerts without me. You have a great set of friends and I trust you to be there for the music. I will still drop you off and pick you up (unless I need my driverless car to do it), but you are free to be as fully into the experience of live music as I was at your age. And feel free to pick music that you think I will hate, because that’s also what 14 is about. (Bringing home the Sex Pistols album at 14 almost got me booted from the Blazak family.) You will find your people at shows. And you’ll find fashions. And you’ll find great opening bands that you will end up loving more than the headliners.

Fourteen is go time. It’s new car smell. It’s endless discoveries. It’s an entire human history of possibilities. And it’s music that will mean EVERYTHING. Go get it. I’ll be there to give you a ride home.

Love,

Dad

My Old Face

January 18, 2020

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The life expectancy in the United States in 1920 was 58.8 years, so if you met someone who was sixty, they were “elderly” and living on borrowed time. In 2020, the American life expectancy is 78.9 and there are approximately 80,000 Americans who are over a hundred years old. I’m 55, so a hundred years ago I would have been ancient and now I’m wondering if I even qualify as “middle-aged.” Wilfrid Brambell, the actor who played Paul McCartney’s comical grandfather in The Beatles’ A Hard Day’s Night (1964) was 52 at the time. Beatle Paul is now 77 and heads back on tour this spring, headlining the Glastonbury Festival on June 27.

So who’s old now? “Old.”

And when someone tells you to “act your age,” what does that even mean? What does it mean to a 17-year-old or a 55-year-old? I remember during the previous impeachment, there was a general feeling that 52-year-old Bill Clinton was not acting his age with Monica Lewinsky.  (Harvey Weinstein, 67, redefined the relationship between age and douchebaggery.) And if he were not the leader of the free world, the infantile antics of Donald Trump, 73, might be endearing. “He’s an old man, but he’s so childlike!”

As I write this with my reading glasses on, I can tell you there are a few clear markers of aging besides the fact that the smoothness of my skin seems to be evaporating. The aches and pains creep in and the extra pounds tend to hang on a bit longer, no matter how hard I hit the gym. And it’s just harder to hit the gym since there’s something awesome on TV tonight. I always hated when my elders would complain endlessly about the chronic pains of life so I’ll keep my mouth shut, but if I drive more than five miles, my right knee hurts!

There’s also the constant reminder of the passage of time. As a teacher, aging is particularly profound. The majority of my college students were born in the twenty-first century. I’ll say something like, “Remember how the nation reacted to 9/11?” and they’ll say, “OK, boomer, I was 3 days old.” And I’ll say, “I’m not a boomer, depending on how you chart birth rates. I’m a Generation X elder.” (My five-year-old daughter has taken to saying, “OK, boomer X.”) Regardless, I am constantly reminding my students what the world was like before the internet. Last week I was explaining what a “travel agent” was. “A travel asian?” one asked.

The value of all the mistakes I’ve made is that I can offer Generation Z endless pearls of wisdom, like “avoid credit card debt at all costs,” and “figure out ASAP that women are people,” and “don’t mix wine and whiskey,” and “take a literature class or something.” Then I can sit back and put all my hopes that the world doesn’t blow up on them. It is nice knowing a few things about how reality works even if I have no idea how I’ll be paying for the chronic health issues that are surely around the corner.

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The bottom line is that I don’t feel old. I still want to be at the front of the stage when a hot young band is blowing the doors off of some basement club. I was in the front when I was 17 seeing The Ramones and I was right up front seeing Velvet Q scream through a set in Seattle a few weeks ago. (Check them out, Grams.) I try not to wonder if the kids are thinking, “What’s that old guy doing here?” Because that’s what I would have thought back in the day. But, to be frank, the reality is that I find more comfort in spinning an old Yes album, than knowing the next big underground thing. (I’ve taken to consuming critics year-end lists to find music I should’ve already known about. Big Thief!)

The Baby Boomers, those born between 1946 and 1964, got old. Boomers like Donald Trump and Dolly Parton, both born in 1946, are 73. The good news is that generation changed what it means to “get old.” If 73 is no longer “old,” 55 definitely is not. Ringo Starr will be on tour this summer for his 80th birthday, and Trump probably already has his sights on his post-indictment wife. (Sorry, Melania. Be best!) They made “thirty-something” cool in the eighties and they’ll probably make “eighty-something” cool in the 2030s.

So, lines on my face aside, there’s still a lot of life ahead. That includes mistakes, child-like moments of wonder, new paths, and nights pressed against the stage, remaining hair shaking to the beat.

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Your biography is history: Taking in the Trump impeachment

October 3, 2019

When I was a teenager in the late-1970s, I wished I had been a teenager in the 1960s, so I could have swum in the countercultural revolution. Of course, I was already in history. It was called the punk rock rebellion, and there are a million kids now who wished they could have been in my shoes, buying Ramones albums (on vinyl!) as they came out. I was just too close to it to see it as a moment in history. It was just my life.

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The great sociologist C. Wright Mills argued that for people to start to understand how society works they have to understand their own biographies as history. When we read a biography, we see it as a reflection of the history that was unfolding around that person’s life, whether it’s the biography of George Washington or Judy Garland. My students are reading The Autobiography of Malcolm X this quarter and you can’t view the life of Malcolm Little/Malcolm X/Malik Shabazz outside of the context of the racially oppressive twentieth century. His biography is the history of hi century.

And so is yours. The goal of any individual should be to create a biography that both reflects the times and impacts the times. Live in the moment and shape the moment. You are living history. Most fascinating of all histories is the present.

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This couldn’t be any truer than right now. This era will be analyzed for centuries. People are still debating whether or not the French Revolution worked. That won’t hold a candle to the late night conversations students, history buffs, and robots will have about the spectacular rise and fall of Donald J. Trump. We are in perhaps the most significant turning point in U.S. history since the test of World War II. This generation may be witnessing the end of the American Century or the birth of a global youth revolution to save the Earth, sparked by a Swedish kid with Aspergers who demonstrates more class and intelligence than our president does on his very best day (which, I know, isn’t saying much).

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I cut my political teeth on the Watergate hearings in 1973. I was 9-years-old and watched it with rapt attention. When Nixon named Gerald Ford as his vice-president in 1974, I knew there was a quid pro quo that would lead to Ford’s pardon of Tricky Dick. My first trip to the White House was while Nixon was deciding to bug out instead of enduring impeachment proceedings. I probably could have stolen the china and they would have assumed Pat Nixon was looting the place before their shameful exodus.

It felt like history was happening and it feels that way again. The impeachment of Bill Clinton felt more like politics as usual. Bill’s shenanigan’s definitely sparked a national conversation about what constitutes “sex.” (To future generations, blow jobs are, in fact, sexual relations.) It all unfolded during my disastrous first marriage and I don’t doubt that couples across the country were having uncomfortable conversations about the nature of infidelity thanks to the Oval Office antics of Slick Willy. But it didn’t seem monumental, just sad. This feels monumental.

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History is always happening and always has a soundtrack. Yeah, the upheaval of 1968 had the Beatles’ “Revolution” and the Rolling Stones’ “Street Fighting Man,” but you better believe the “look backs” 20 years from now will have Billie Eilish and Lizzo playing along. (“Why men great ’til they gotta be great? Don’t text me, tell it straight to my face.”) This moment in history is framed by news apps, bipartisan divides, and generational warfare. The old white men would rather die guns blazing and burn the house down on their way out than see young women (especially young women of color) even the playing field. Sorry Mitch McConnell, the future of America looks more and more like Alexandria Ocasio-Cortez every day. We’re no longer being handed history by Walter Cronkite on the CBS Evening News, we’re finding it on our phones and Twitter feeds. And we’re sharing the news that the Orange Emperor has no clothes. (Cannot unsee!)

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There’s a great 2011 Woody Allen film called Midnight in Paris all about how we over-romanticize the past. It was always better in some previous era. I’ve often thought about how great it would be to live in the Bohemia of 1840’s Paris or 1950’s San Francisco. No doubt the food would suck in both and no wi-fi to boot. The same is true for the Make America Great Again suckers who think the country was better off back in the days of Jim Crow. (Also no wifi.) This is the moment to be in. This crisis. This opportunity for transformation.

I’m committed to taking all this in, every presidential tweet storm, every unhinged Rudy Giuliani interview, every cabinet member indictment, every smirking Stephen Colbert monologue. Future generations will ask us what it was like to witness the compete collapse of America’s mad king. I’ll tell them I LMAO. They’ll have no idea what I’m talking about.