My joke about this year has been that 2020 will make 1968 look like 1954, but without the soundtrack. That’s not quite true. There has been a lot of great music this year, including full albums recorded while on lockdown (or “rockdown,” as Paul McCartney called it). Unfortunately, a lot of us where not in the mood to search out new music this year, especially when all live shows were cancelled. I found my muse in creating numerous Spotify playlists, like chronologies of Prince and The Kinks. My music highlight of the year was Beyoncé’s musical film, Black is King, released during the summer. Visually stunning and perfectly timely as the streets were filled with Black Lives Matter protestors.
The truth is that my most listened to album in 2020 was released in the summer of 2019. Lana del Rey’s Norman Fucking Rockwell was on repeat play through the year. It’s 67 and a half minutes of epic soundscape offered endless layers of discovery. Like an arthouse film that reveals a different interpretation with each viewing, Norman Fucking Rockwell was an expansive chasm of wordplay and music pulled from the dreamworld.
Similarly, some of my favorite albums of 2020 came out at the very end of 2019 (Harry Styles, The Who). Others were the casualties of COVID (Toots Hibbert, RIP) or commenting on the meaning of it (Bob Dylan’s sweeping tome). The death of George Floyd gave us the most clear musical moment, including powerful releases from Run the Jewels and Black Thought. But nothing sounded more like 2020 than the third album by the British band Sault. Untitled (Black Is) brought the themes of being locked down and tearing down racism into a hypnotic swirl that was both backward and forward looking. I didn’t quite get the Taylor Swift album but the Sault album seemed to be the right album at the right time.
Flipping back through the new music I dug in 2020, here’s my top 20 albums of the year. I expect that, with massive vaccinations, 2021 will kick off our swinging ‘20s.
1. Sault – Untitled (Black Is)
2. Bob Dylan – Rough and Rowdy Ways
3. Harry Styles – Fine Line
4. Black Thought – Streams of Thought, Vol. 3: Cane & Able
5. Drive-by Truckers – The Unraveling
6. The Who – Who
7. Paul McCartney – McCartney III
8. Shelby Lynne – Shelby Lynne
9. Jason Isbell and the 400 Unit – Reunions
10. Fiona Apple – Fetch the Bolt Cutters
11. Bruce Springsteen – Letter to You
12. Paul Weller – On Sunset
13. Run the Jewels – RTJ4
14. Toots and the Maytals – Got to Be Tough
15. Lido Pimienta – Miss Columbia
16. Various Artists – PDX Pop Now Vol. 17
17. Pearl Jam – Gigaton
18. Haim – Women in Music Pt. III
19. Waxahatchee – Saint Cloud
20. Neil Young – Homegrown
And a special mention of The Chicks “March, March” single, which gave us the most needed video of the year, and Megan Thee Stallion’s “Savage,” which the girls in the neighborhood mimed endlessly this summer.
If there was ever a time America needed a leader, it’s now as COVID deaths surge past a quarter million. But sad Donald Trump is in his bunker, tweeting madly that he won the election “by a lot.” No stimulus program for Americans falling into homelessness. No national mask mandate to save additional lives. Just Baby Donald having a temper tantrum and a circus of sycophants too afraid to tell the Emperor that the world is laughing at him.
The pathetic end of Donald J. Trump is not only a lesson in how not to be a president. It’s also a vital lesson in how not to be a man. Of course, Mr. “Grab’ em by the pussy” has provided that service for years.
The lockdowns of 2020 have certainly presented challenges for single people, but there have been challenges for those of us that are boo’d up as well. The pandemic has forced many of us married and “coupled up” (as they say on Love Island) to learn how to truly co-exist in a confined space, without the easy exit hatch of “let’s just go out.” There’s only so much Netflixing you can do. At some point, it gets real. And as if providing (finally) some kind of national service, there’s President Hissy-fit giving the men of America a perfect example of how not to handle this moment.
From the very beginning, Trump has made it all about him. From his word-salad lie-fests before his adoring cult crowds to his denial of the Biden victory, “America first” has always been code for “Trump first” and you almost feel sorry for the schleps that still fall for this con man. (“Quick! Donate to President Trump’s legal team so he prove those black votes in Detroit and Atlanta were illegal! We take PayPal!”) Trump always centers himself and you don’t have to look at Melania’s face to see that that’s his fatal flaw.
But this isn’t about Trump. It’s about all us men who do the same thing. We’ve been socialized to believe it’s a man’s, man’s, man’s world and women are there as our support system. (BEHIND every great man… is a woman who should be out in front.) The world is about our male hopes and plans and adventures and successes and failures and wet dreams. That’s why Betty Friedan’s The Feminine Mystique (1963) resonated with so many women. It simply asked, but what about me? Arn’t I a person, too?
Sadly, the second wave feminist movement that Friedan helped launch did not fully humanize females in America. It made a lot of progress (Thank you, Title IX and hello Vice President Harris!), but it still looks like a penis-centered culture. At least American Ninja Warrior puts the the top two female contestants through to the finals. We can find plenty of reasons to find cracks in patriarchy. (I’ll credit Nancy Pelosi for keeping Trump’s nuts in a vice grip and the daughters of NFL fans for prioritizing Beyoncés BLM anthems over Go Daddy commercials and cheerleaders in halter tops.) We can see progress all around us (if we turn blind eye to the epidemic of rape in the country), but there are still people who want to make America “Father Knows Best” again.
We can talk about this on a societal level (RBG was right. We’ve had generations of all-male Supreme Courts. When do we get an all-female Supreme Court?) But this is about the personal journey of men stepping away from the destructive (including to men) effects of patriarchy.
More than that, this about me learning how to love my wife.
If patriarchy, on a macro-level, is about centering men’s voice and minds in society, on a personal level it’s about doing the same Goddamn thing in our relationships. Hi ladies, welcome to my world. Can you make me a sandwich? Feminist Dorothy E. Smith has written how women are given control of the “domestic sphere” so men can have pretty much everything else on earth. And that can include the space in a relationship.
Now, to be clear, I have claimed feminism as a core value in my life since the 1980s and proudly left my job to become a stay-at-home dad, inspired by my favorite househusband John Lennon. I can thrill you with stories of escorting women into abortion clinics past the screaming banshees of Operation Rescue and challenging students to accept that God is most likely female, but I still internalized patriarchy in the same sad way I internalized white supremacy.
That became most clear this year during long, under quarantine, conversations with my wife. Like most people, we’ve had our fair share of COVID-magnified conflicts; about money, about parenting, about who is going to wash the dishes. She was quick to point out how quickly I would go into defensive mode and try to “prove” my case, like we were on opposing debating teams. We’re on the same team! I forgot! But it became all about me and how I was somehow aggrieved.
What I should have been doing is asking questions. Why do you feel this way? What can I do to help? I should have centered her and put my amazing wife first in the discussion, but instead I retreated into “Randyland,” wondering why she had a “well, fuck this shit” look on her face. Maybe if I slept downstairs I could comeback, refreshed with an even clearer articulation of my position, complete with PowerPoint slides. Meanwhile, my wife felt more and more alone as I plotted strategies in my head instead of re-coupling (also a term from Love Island).
This is going to sound completely basic to many people (and maybe a few men), but I have literally burned through every relationship by doing this. By making it about me. That’s not how love is supposed to work. You’re supposed to put your partner’s emotional well-being before your own, but in patriarchal America I didn’t get that role modeling, not from my father and not from Starsky & Hutch. The result was relationships crashing and burning and me thinking that I was just a “psycho-chick magnet.” If they were psycho, it was because I centered myself instead of them.
There is a parallel phenomenon here with regard to race called White Fragility. America has the handbook and is starting to figure that out. (Thanks, Robin!) It’s not about you, Karen, so stop centering yourself and start centering black voices. Maybe, we need a book called Male Fragility: Why Men Get Their Panties in a Wad.
My wife is strong as hell and sure enough doesn’t need a guy like me who doesn’t put his partner before himself. I should have gotten that lesson a long time ago. I’m not the king of my castle. But somewhere, between long, hard conversations with her and watching Baby Trump center himself instead of the nation we hired him to lead, I got it. Don’t be like Trump. Hey Donald, it’s not about you. It’s about America. She’s trying to tell you how she feels. Please listen.
There’s a classic riddle I offer my sociology students when I want them to think about gender.
A man is spending a day with his young son who he is meeting for the first time. They do the usual father-son things like going to a ball game and having ice cream in an ice cream shop. At the end of the day, there is a horrible car accident and the father is killed.The boy is critically injured and taken to the Emergency Room. The attending doctor sees a child in need of critical aid brought into the ER and gasps, saying, “I can’t operate on this child. He’s my son!”
Who is the doctor?
The first time I heard this riddle my mind did all kinds of backflips. Maybe the doctor was the step-father or maybe there were, somehow, two fathers in this universe. Then someone said, “The doctor is his mother” and I felt like a complete idiot. It’s a valuable lesson in how our brain is trained for normative maleness. Oddly, if I had grown up in the USSR, the answer to the riddle would have been obvious as the majority of medical doctors in the old Soviet Union were women. We’re not at gender equity yet, but I have great hope for my daughter’s generation. (Our daughter has a female doctor, by the way.)
The vestiges of patriarchy still pervade my 4-year-old’s preschool life. A male classmate told her that “girls can’t be bosses,” even though the owner of the school is a woman. I hope she called bullshit on the boy but I know she gets a lot of reinforcement of the “men are in charge” narrative even if at home dad is folding laundry while mom clocks in the hours at work.
The day after we got back from Mexico, a tornado blew down our street in Portland. It was only an EF 0, but we were in the car right next to it and saw it take down the biggest tree in the neighborhood. Quickly, police and fire departments were on the scene, as the rain poured and power lines flailed about in the wind. As I gave interviews to local news crews, I saw Cozy talking to a female police officer about the twister. I realized that, thanks to my dragging her to endless meetings with law enforcement, she’s met enough female cops and FBI agents to know that women are in important positions of power all around her.
Earlier this summer we took her to her first Portland Thorns game so she could see thousands of people cheering for our amazing female athletes. For her, it was just a normal sporting event, nothing remarkable that all the players on the pitch were women. What was even cooler was that she got to see tons of boys and men (including her dad) cheering for the mighty Thorns, at a record crowd in Providence Park, as they took down the Chicago Red Stars.
That’s been one of the most thrilling parts of watching the women’s World Cup matches this summer. Sure it’s great to see girls getting to see women play hard and fast soccer to a global audience (even if they are paid significantly less than male FIFA players), imagining that they could do it too. That there is space in a male-dominated world for female athletes and careers in their sport. But it’s also important that so many boys are showing up to root for women. It’s the beautiful game. We might have a misogynist in the White House, but the walls are coming down in football stadiums all around the world as men cheer on their sisters.
Gender socialization is real. It happens when we are conscious of it. (We live in a Barbie-free Zone.) But also when we don’t see it. I hope Cozy has taken note of all the women running for president, the women who she meets who work in local and national government, the female firefighters who responded to the tornado on our street, the female sportscasters on TV, and all the moms of friends who are working and bringing home the vegan bacon. But I also hope all her little male friends take note of the exact same thing.
I was of two-minds about the 2011 Beyoncé song, “Run the World” The refrain, of course, was “Girls!” It was an empowering anthem but masked the fact that men (and their anti-woman/anti-Mother Earth agenda) still pretty much run the show, from Afghanistan to Alabama. Girls need to be armed with this truth, patriarchy is real and will not die easily. A few World Cup matches isn’t going to change that. But I think the girls (and boys) of Gen Z, might be able to see what that world will look like. It will look like a million people cheering as a talented female puts the ball into the back of the net.
This has been a weird year for music for me. The budget tightened as Cozy got bigger and the sabbatical cushion got smaller. Weekly trips to Music Millennium were replaced by lots of speaking engagements and news interviews about the rise of fascism in Trump’s America. I buried my ears in old John Coltrane albums as I read Ascension: John Coltrane and His Questby Eric Nisenson. I spent a lot more listening time in 1964 than 2017, perhaps as an escape from the endless bad news of America going into the ditch. Just turn on KMHD radio and forget about the train wrecks (both literal and not) for a moment.
In my book, The Mission of the Sacred Heart, I posit a theory about the music of the seventh year of each decade. There is one pop album and one underground album that truly defines the decade. 1967: The Beatles’ Sgt. Pepper’s and The Velvet Underground & Nico, 1977: Saturday Night Fever and the Sex Pistols’ Never Mind the Bullocks, 1987: U2’s The Joshua Tree and Public Enemy’s Yo! Bum Rush the Show, 1997: The Spice Girl’s debut and Radiohead’s OK, Computer. The theory sort of falls apart with the death of the album in the 2000s. (You could make the case that 2007 fell to Kanye West and the White Stripes). But what will it be for 2017? It wasn’t exactly the Summer of Love 2.0. It may take years to figure out how we survived a year without a new Beyoncé album.
We did make it to a few great shows this year. Paul Weller in Seattle was probably my favorite and Solange in Portland was pretty epic. Beck and Spoon on the Portland Waterfront were mass entertaining. Runaway Lita Ford rocked Dante’s and getting to sing with Drivin’ N’ Cryin in Marietta, Georgia was a hoot. (Kevn Kinney introduced me as “Randy Blazak from U2!”) Herb Albert gave a master class in pop history at the Aladdin and Sting and Michael Kiwanuka brought some neo-soul to town. Bomba Estereo and Y La Bamba covered our Latin fixes. We had a great night with Shannon & the Clams and Portland garage kings The Shivas. However, I missed a ton of great gigs, choosing stay home and sing Frozen songs with Cozy.
I missed a lot of great music this year. I hear both the War on Drugs and Roger Waters have brilliant new albums out.. I know everyone has Kendrick Lamar’s DAMN at the top of their year-end polls. I loved his last one but I’m just tired of rap albums where every other word is “bitch.” It shows a lack of imagination, no matter how brilliant your commentary might be. The anti-Trump music is finally coming out. Jason Isbell’s “White Man’s World” is a chilling take on election day and I must have played “Fuck Donald Trump” by YG a hundred times on the binks jukebox. Maybe 2018 will be our 1968. You say you want a revolution? Well, you know. Is it streaming?
So this isn’t the best new albums of the year, just the ones I enjoyed the most, while Andrea painted and Cozy built increasingly impressive towers of blocks. I’ve already written about my complete submission to the joyous Harry Styles album, so it should be of no surprise that it tops my heart’s charts. We lost some greats, like Chuck Berry and Sharon Jones, and some old friends returned to remind us that, despite our foray into the Upside Down, great music will always sustain us.
Harry Styles – Harry Styles
Sharon Jones & the Dap Kings – Soul of a Woman
Childish Gambino – Awaken, My Love!
U2 – Songs of Experience
SZA – Cntrl
Sleater-Kinney – Live in Paris
Tim Darcy – Saturday Night
Jason Isbell & the 400 Unit – The Nashville Sound
Dhani Harrison – In///Parallel
Ringo Starr – Give More Love
Paul Weller – A Kind Revolution
Algiers – The Underside of Power
Father John Misty – Pure Comedy
Drivin N Cryin – Mystery Road Expanded Edition
Portugal, The Man – Woodstock
Chuck Berry – Chuck
Cheap Trick – We’re All Alright
Waterboys – Out of this Blue
Big Thief – Capacity
Dream Syndicate – How Did I Find Myself Here?
And Special Portland Topper: Jared Mees – Life is Long Besides being a perfect album, it gave me the theme song for my podcast, Recovering Asshole.
I love the new Harry Styles album and I don’t care who knows.
Obviously gender socialization has played a role in the music I’ve loved (I was a sergeant in the Kiss Army in 1977, after all), but it has also played a part in the music I am supposed to hate. So much of the “Disco Sucks” movement in the 70s was steeped in deep-rooted homophobia (and racism). Real (white) guys liked ROCK and anybody who liked the Bee Gees must be a “fag.” I chanted “Disco sucks!” with the rest of the boys but secretly thought “Staying Alive” was a pretty damn good song.
This was especially true with teen idols. I was taught to hate them the most. If teenage girls loved them, they must be devoid of any musical quality whatsoever. Those screaming girls care more about their haircuts and cute smiles than their musical chops. I mean, seriously, what kind of name is “The Beatles”? What will they ever accomplish?
So here’s a secret. Circa 1973, 9-year-old Randy was seriously into The Osmond Brothers. (If you’ve never heard “Crazy Horses,” listen to it now, loud.) They had a cool Saturday morning cartoon (as did the Jackson 5 and Rick Springfield), and since there was no MTV, it was how I first “saw” my music. I would put their records on on my parents’ hifi and go into my bedroom and pretend “my brothers” were rehearsing in the living room. I was the Osmond they never talked about, Randy Osmond. I even had Donny’s album, My Best To You, so “Puppy Love” played in my house.
I would read Tiger Beat magazine to keep up on all the latest news about my Saturday morning stars, including Michael Gray (Shazam!), Vince Van Patten and Kristy McNichol (Apple’s Way) and Johnny Whitaker (Sigmund & the Sea Monsters). I even learned a bit about religion. The Osmonds were Mormons and the Jackson 5 were Jehovah’s Witnesses. (I’m not sure what Sigmund and the Sea Monsters were. Lutherans?) That was until one day in late 1974.
I remember it as clear as a bell. I was standing in the hallway in our house with a copy of Tiger Beat trying to pull out a pinup of some fresh faced star (Anybody remember the DeFranco Family?). I already had one of David Cassidy on my wall. Then my 32-year-old father said, “Randy, you know those magazines are for girls, right?” It was a gender bomb dropped on my world. He signed me up for Boy Scouts, got me a subscription to Boy’s Life magazine and I quit the Osmond Brothers and switched my allegiance to Elton John. (I really hope you can see the irony in all this.)
It was the beginning of bashing of all things teen idol related. Selling my soul to rock and roll was, at least in part, a way of publicly affirming my masculinity. When teen heartthrob Leif Garrett set a concert at Six Flag’s Over Georgia my friends and I made plans to go and throw tomatoes. (We didn’t.) And it’s been like that for every moppet that’s come along since then. Bay City Rollers? How about the Gay City Rollers. O-Town? More like O-Crap. N’Sync = N”Suck. All the way through to Justin Bieber. I started a Twitter account to troll him called “Justin Bieber’s colon” and the Biebs himself started following my snark.
Now I couldn’t name you a single One Direction song. I know the tween lassies went potty for them in the early 2010’s, so they must suck, right? I just knew that they had stupid haircuts (unlike the stupid haircuts I had at that age that were perfectly cool). Just that week’s version of the Osmond Brothers filling the need for poster material in Tiger Beat.
Then I saw the one with the stupidest haircut perform a track from his “solo” record (barf) on Saturday Night Live. It was Harry Styles and the song was “Sign of the Times.” Fuck me, it was good. Really good. Like Elton John good. It’s the kind of music that has been missing from Top 40 radio this millennium. Could there be more? The second song on SNL, “Ever Since New York,” was even better. Young Harry was playing guitar and there was a serious Badfinger influence. I wanted more.
When the album came out I wanted it and so did my wife. We were at Music Millennium Record Store and I completely chickened out and made her buy it. What would these lords of vinyl think of me if I plopped this CD down on the counter? Even if I stuck it between CDs by Sun Ra and Flogging Molly. Guys don’t buy this kind of dreck. She was slight angry at me about that one.
Harry Styles has been spinning non-stop ever since. Pure pop bliss, with a dose of T. Rex and 70’s flair to sail over the heads of the One Direction Fan Club. It’s still the modern production formula with teams of songwriters helping Harry write the songs (Beyoncé does the same thing), so you never know if the sentiment belongs to the artist or one of the other five other guys credited. The producer is the guy who gave us “Uptown Funk.” There are plenty of reasons to hate it out of gate, but somehow it works. Every song is a gem and I am fully out as a Harry Styles fan.
The whole thing has caused me to reflect on over 30 years of a knee-jerk reaction that anything embraced by teenage girls is, by default, crap. It’s steeped in patriarchal thinking that somehow the musical tastes of 13-year-old boys are inherently superior to their female “teenybopper” counterparts and that the tastes and emotional lives of girls are irrelevant and to be devalued and mocked. Writer Barbara Ehrenreich once wrote that the wave of Beatlemania that swept America in 1964 was the first real flush of feminism for many baby boom girls. They were loudly proclaiming their sexual freedom as a collective voice. “Ringo! We want to rip your clothes off!” When I see the boys in the crowds at those Fab Four mob scenes, I always think they must really have been secure in their fledgling masculinity to be there (and incredibly lucky).
Evolving is all about checking the crap you do without thinking. It’s time to stop writing off music because “girls” like it. I bet there might be a New Kids on the Block or Jonas Brothers song that’s not too bad. Frank Sinatra and The Monkees were in this category once. Maybe I actually should be paying more attention to what these screaming girls like. They were right about The Beatles. So thanks, Harry, for helping me to see the light.
Near the end of my tenure at Portland State University, the provost instituted her “challenge,” called reTHINK PSU, designed to encourage the growth of the use of technology to expand the university . She invited a speaker to get the faculty onboard the move to online education. He repeated the Nathan Harden line, that in fifty years half the brick and mortar colleges and universities in the country would be history, replaced by websites (probably run by some kid in India). The message was get on the train or get left at the station. He tried to make the point by claiming that CD technology had replaced vinyl records, so get ready for college professors to go the way of the Foghat album.
Ironically I was listening to this talk sitting in my office in Cramer Hall as it streamed on the university server. If I had been in the room, I would have jumped up to say that CDs sales were tanking, but vinyl was making a massive comeback, growing even faster than downloads and streaming music. Fortune magazine reported in April that vinyl album sales were at a 28-year high. Turns our kids want their Taylor Swift on wax (and their teachers in the goddamn classroom). Sometimes the old way is the best.
I say this because I really fell off my hipness high horse this year. The arrival of the baby in 2014 got me out of the cavalcade of live shows and endless hours in record stores. In 2016, between a rampaging toddler, the effort to return to work, busting Trump’s tiny balls, and finishing my new novel, The Dream Police, I just abdicated my staples for side-lined music aficionadodom. My favorite podcasts, All Songs Considered, Sound Opinions, and Alt Latino, went un-downloaded. Our local weeklies, Willamette Week and The Portland Mercury, remained in their boxes on NE Alberta Street. An occasional breeze or hip kid would blow in to let me know what was up, but I missed so much. Did you know that Radiohead put out an awesome album in 2016? Of course you did.
Where I kept things real was on the vinyl front. A large chunk of the new releases I bought this year were on vinyl (including a bootleg vinyl release of Frank Ocean’s long-awaited follow up to the brilliant 2012 release, Orange). I couldn’t stop buying vinyl, at Amoeba Music in LA and Peaches in New Orleans, and a dozen record stores in Portland. Old, new, kids’ records, 45’s, and even Herb Albert and the Tijuana Brass from the 50 cent bin at Everyday Music. Solange just sounded better on vinyl and Bowie had to be experienced deep in the ruts. The ghost is the grooves, not the machine.
Andrea and I took our love of LPs into the sharing economy. Our basement just became an AirBNB called the Alberta Vinyl Den. Each guest lets me know his or her music tastes when they make a booking and I stock the room with a dozen albums from my massive collection. So guests get to feel like they are staying in the record store of their dreams, complete with a turntable and a refrigerator full of beer.
2016 was a still a great year for music. With the blessing of babysitters we did manage to see some great shows, including some true classics; Patti Smith, Paul McCartney, Brian Wilson, Bruce Springsteen, and the Electric Light Orchestra at the Hollywood Bowl (a double bucket list item). We saw some good world music, like Bomba Estereo and Bombino. We saw a wildly drunken gig by Greasy Alice in New Orleans and caught a show by old friend Chris Robinson that took us down a rabbit hole. I just caught Georgia underground pioneers Pylon at Mississippi Studios. (Last time I saw them was at the Agora Ballroom in 1983.) Earlier in the year we caught a barely attended show there by Sir Paul’s son, James McCartney and got to chat after the gig. Other than the Cuban band we saw every Sunday during our summer on Isla Mujeres, I think my favorite show of 2016 was Father John Misty at Edgefield in the pouring rain surrounded by a thousand other dudes with beards. It was perfectly Portland.
So here is my Top 20 favorite albums of 2016, recognizing that I’m surely missing a ton I will discover in 2017 or 2027. (Nick Cave’s new one? Someone said it was killer.) I really think we’ll be talking about the Beyoncé and Solange albums 50 years from now. A serious thanks to the gang at Music Millennium for pointing me in the right direction on some good stuff.
David Bowie – Blackstar
Beyoncé – Lemonade
Y La Bamba – Ojos del Sol
Solange – A Seat at the Table
Drive-By-Truckers – American Band
Miranda Lambert – The Weight of These Wings
Michael Kiwanuka – Love & Hate
Frank Ocean – blond
Rolling Stones – Blue & Lonesome
Bombino – Azel
Patti Smith – Horses: Live at Electric Ladyland Studios
The Beatles – Live at Hollywood Bowl
Bob Dylan – Fallen Angels
Carla Morrison – Amor Supremo
The Bangles – Ladies and Gentlemen…
A Tribe Called Quest – We got it from Here… Thank You 4 Your Service
Sturgill Simpson – A Sailor’s Guide To Earth
Chris Robley – The Great Make Believe
Ages and Ages – Something to Ruin
Cheap Trick – Bang, Zoom, Crazy… Hello
Here’s to more music on vinyl in 2017. And more professors in classrooms.